A work in constant progress (and occasional regress).
Birthplace:
Basel, Switzerland
Born:
September 11, 1943
BALZ RAZ, born September 11, 1943 in Basel, Structural draftsman, lighting technician at the Stadttheater Basel, studied at the German Film and Television Academy in Berlin (1967-1970), scripts, night work at the post office, Collaboration on various films, including "TransAtlantique" by Hans-Ulrich Schlumpf, since 1972 Super 8 film diary (meanwhile approx. 24 hours of film material), own films, since 1976 single sets, postcards, since 1982 exhibitions with pictures and objects in Basel and surroundings, 1984/85 anthroposophical study year, co-founder of the "Edition 350" (so far 18 titles, among others by Peter Handke and Antonio Porchia), three books of short stories, readings in Switzerland and abroad, various articles for the Basler Magazin about architecture and photography, many book and exhibition reviews for different reviews for various newspapers, lives in Basel.
Director:
1967 Abbilder des Todes
1986 Parallax
1989 Late May 1989
2002 Filmtagebuch 2002
2004 Filmtagebuch 2004
???? FILOUSOPHISCHES
Production Manager:
1967 Abbilder des Todes
1978 Small Freedom
1986 Parallax
1989 Late May 1989
2002 Filmtagebuch 2002
2004 Filmtagebuch 2004
???? FILOUSOPHISCHES
Sound Designer:
1966 Countdown
1967 Abbilder des Todes
1978 Small Freedom
1986 Parallax
1989 Late May 1989
2002 Filmtagebuch 2002
2004 Filmtagebuch 2004
???? FILOUSOPHISCHES
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.