A work in constant progress (and occasional regress).
Birthplace:
Udine, Italia
Born:
January 1, 1980
Renzo Carbonera (born in 1980) lives between the Bavaria and Friuli/Veneto regions. He graduated with a thesis on British director Ken Loach at the University of Padova. He then took an Audiovisuals Master Degree with seminars by renowned professionals like Roberto Perpignani, Vincenzo Cerami and Vittorio Storaro. All his 9 documentaries have been distributed and broadcasted worldwide. His collaborations include Mediaset, RAI, Fox International Channels, TVE, RTSI, ERT, ORF, SVT and other broadcasters from major European Countries. His projects have been funded by the EU Media and Interreg Programmes, by the FVG Film Commission, Trentino Film Commission, BLS/South Tyrol and Veneto Film Commission. The production companies he works with include Jolefilm, SD Cinematografica, Venice Film, Eikon Media (Germany) and Cerebral Films (USA). Renzo directed and wrote many history documentaries, but also the docu-fiction "Stop and Listen", on the best male polyphonic choir in the world, produced by Ticofilm with RAI, YLE (Finland), Musica Mundi (Germany), Poorhouse International (UK). Furthermore he directed two fiction short films. The first with Italian movie star Sergio Rubini, Cosimo Cinieri and Italian-German TV star Christiane Filangieri. This short film premiered at the Venice Film Festival/Mostra del Cinema di Venezia in September 2011 and was awarded internationally (Raindance, New Delhi OSIAN’S CINEFAN, I’ve seen Films Festival, Naoussa, Clermont-Ferrand). The second short casts Anita Kravos (“La Grande Bellezza”) and will premiere at major festivals in 2014. Renzo has been selected for two Media script and production workshops (EEFA and MFI), to develop his first feature length movie.
Director:
2009 Trieste, Un ring sull'Adriatico
2012 Hemingway Unknown
2014 Heimat Südtirol - La missione di Michael Gamper
2018 Resina
2022 Takeaway
2023 Pluto
Director of Photography:
2008 Bottecchia - L'ultima pedalata
2009 Trieste, Un ring sull'Adriatico
2012 Hemingway Unknown
2014 Heimat Südtirol - La missione di Michael Gamper
2018 Resina
2022 Takeaway
2023 Pluto
Editor:
2008 Bottecchia - L'ultima pedalata
2009 Trieste, Un ring sull'Adriatico
2012 Hemingway Unknown
2014 Heimat Südtirol - La missione di Michael Gamper
2018 Resina
2022 Takeaway
2023 Pluto
Screenplay:
2008 Bottecchia - L'ultima pedalata
2009 Trieste, Un ring sull'Adriatico
2012 Hemingway Unknown
2014 Heimat Südtirol - La missione di Michael Gamper
2014 Il leone di vetro
2018 Resina
2022 Takeaway
2023 Pluto
Writer:
2008 Bottecchia - L'ultima pedalata
2009 Trieste, Un ring sull'Adriatico
2012 Hemingway Unknown
2014 Heimat Südtirol - La missione di Michael Gamper
2014 Il leone di vetro
2018 Resina
2022 Takeaway
2023 Pluto
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.