A work in constant progress (and occasional regress).
Birthplace:
Gijón, Asturias, Spain
Ramón Lluís Bande, born in Xixón in 1972, is a filmmaker and writer. Among his films that explore the languages of non-fiction include titles such as "El fulgor" (2002), "Estratexa" (2003), "De la Fuente" (2004), "El paisano. Un retratu colectivu" (2005), "La carta de Bárbara" (2007), "Equí y n’otru tiempu" (2014), "El nome de los árboles" (2015) and "Vida vaquera" (2016). Among his fictions: "Malu" (1999), "L’aire les castañes" (2001), "Divina Lluz" (2005) or "Llar" (2014) –in collaboration with Elisa Cepedal-. He has also directed musical films for Nacho Vegas, Manta Ray, Mus, Viva Las Vegas or Aroah, among others. In recent years he has created and directed several documentary series for Asturian public television (RTPA), such as "Camín de cantares" (2007-2011), "Camín" (2012-2016), "Ende" (2012) –co-directed with Luis Argeo-, "Güelos" ( 2014) or "L'alzada" (2015). In the same channel for ten years he has directed the audiovisual magazine of Asturian culture, Pieces. With more than a dozen books published, a selection of his narrative work, originally written in Asturian, has been translated into Spanish in the volume "Las habitaciones Vacías" (2010).
Director:
2000 L'aire les castañes
2002 El Fulgor
2003 Estratexa
2004 De la Fuente
2005 El Paisano. Un retratu colectivu
2007 La carta de Bárbara
2010 Sangre
2014 Equí y n'otru tiempu
2014 Llar
2015 El nome de los árboles
2016 Vida vaquera
2017 Aún me quedan balas para dibuja
2017 Escoréu, 24 de diciembre de 1937
2018 Cantares de una revolución
2019 Hotel Asturies
2020 Cow Lowing Among Ruins
2022 Contracampos
2024 Retaguardia
Editor:
2000 L'aire les castañes
2002 El Fulgor
2003 Estratexa
2004 De la Fuente
2005 El Paisano. Un retratu colectivu
2007 La carta de Bárbara
2010 Sangre
2014 Equí y n'otru tiempu
2014 Llar
2015 El nome de los árboles
2016 Vida vaquera
2017 Aún me quedan balas para dibuja
2017 Escoréu, 24 de diciembre de 1937
2018 Cantares de una revolución
2019 Hotel Asturies
2020 Cow Lowing Among Ruins
2022 Contracampos
2024 Retaguardia
Producer:
2000 L'aire les castañes
2002 El Fulgor
2003 Estratexa
2004 De la Fuente
2005 El Paisano. Un retratu colectivu
2007 La carta de Bárbara
2010 Sangre
2014 Equí y n'otru tiempu
2014 Llar
2015 El nome de los árboles
2016 Vida vaquera
2017 Aún me quedan balas para dibuja
2017 Escoréu, 24 de diciembre de 1937
2018 Cantares de una revolución
2019 El pasado presente
2019 Hotel Asturies
2020 Cow Lowing Among Ruins
2022 Contracampos
2024 Retaguardia
Writer:
2000 L'aire les castañes
2002 El Fulgor
2003 Estratexa
2004 De la Fuente
2005 El Paisano. Un retratu colectivu
2007 La carta de Bárbara
2010 Sangre
2014 Equí y n'otru tiempu
2014 Llar
2015 El nome de los árboles
2016 Vida vaquera
2017 Aún me quedan balas para dibuja
2017 Escoréu, 24 de diciembre de 1937
2018 Cantares de una revolución
2019 El pasado presente
2019 Hotel Asturies
2020 Cow Lowing Among Ruins
2022 Contracampos
2024 Retaguardia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.