Home

Erin Espelie

Gallery Unavailable

Biography from TheMovieDB

Erin Espelie (US) is a filmmaker and writer based in the fire-prone foothills of the Rocky Mountains. She co-directs NEST (Nature, Environment, Science & Technology) Studio for the Arts at the University of Colorado Boulder and serves as editor in chief of Natural History magazine.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Camera Operator:
????  Sacred Mountain

Director:
2008  Every Third Bite
2009  What Part of the Earth is Inhabited
2010  Facts Told at Retail
2010  Valleys Of Fear
2011  Silent Springs
2012  Beyond Expression Bright
2013  The Sea Seeks Its Own Level
2013  True Life Adventures I, II, & III
2014  The Lanthanide Series
2016  A Net To Catch The Light
2017  Automorphic
2017  内共生 (Inside the Shared Life)
2018  B-Roll of the Sun
2018  Gathering Moss
2019  Monte Verita
2019  The Millers
2020  Tenebrio molitor
2020  心 Heart (Radical 61)
2021  A Free Inquiry Into Air: 110721
2022  The Dunes
2024  Gavia stellata (Sea Mew Set with Stars)
????  Sacred Mountain

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.