A work in constant progress (and occasional regress).
Birthplace:
St. Louis, Missouri, USA
Born:
February 15, 1900
Died:
June 10, 1983
From Wikipedia, the free encyclopedia Paul Yawitz (1900–1983) was an American journalist and screenwriter.
Screenplay:
1937 Breakfast for Two
1937 Saturday's Heroes
1937 They Wanted to Marry
1938 Blond Cheat
1938 Crashing Hollywood
1938 Go Chase Yourself
1938 The Affairs of Annabel
1939 Fixer Dugan
1941 Honolulu Lu
1942 Alias Boston Blackie
1942 Boston Blackie Goes Hollywood
1943 She Has What It Takes
1944 Louisiana Hayride
1945 I Love a Bandleader
1946 The Falcon's Alibi
Story:
1937 Breakfast for Two
1937 Saturday's Heroes
1937 They Wanted to Marry
1938 Blond Cheat
1938 Crashing Hollywood
1938 Go Chase Yourself
1938 The Affairs of Annabel
1939 Fixer Dugan
1941 Confessions of Boston Blackie
1941 Honolulu Lu
1942 Alias Boston Blackie
1942 Boston Blackie Goes Hollywood
1943 She Has What It Takes
1944 Louisiana Hayride
1945 Boston Blackie Booked on Suspicion
1945 I Love a Bandleader
1946 A Close Call for Boston Blackie
1946 The Falcon's Alibi
1950 Unmasked
1950 Walk Softly, Stranger
1957 The Black Scorpion
Writer:
1937 Breakfast for Two
1937 Saturday's Heroes
1937 They Wanted to Marry
1938 Blond Cheat
1938 Crashing Hollywood
1938 Go Chase Yourself
1938 The Affairs of Annabel
1939 Fixer Dugan
1939 Little Accident
1941 Confessions of Boston Blackie
1941 Honolulu Lu
1942 Alias Boston Blackie
1942 Boston Blackie Goes Hollywood
1943 She Has What It Takes
1943 The Chance of a Lifetime
1944 Louisiana Hayride
1944 One Mysterious Night
1944 The Racket Man
1945 Boston Blackie Booked on Suspicion
1945 I Love a Bandleader
1946 A Close Call for Boston Blackie
1946 The Falcon's Alibi
1950 Unmasked
1950 Walk Softly, Stranger
1957 The Black Scorpion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.