Jake Aust

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Jake Aust is the Chief Innovation Officer at AGBO, where he spearheads the company's cutting-edge innovation department. In this role, Jake leverages his extensive experience and vision to expand AGBO’s storytelling capacity by integrating advanced physical and virtual production technologies. Among his many projects at AGBO, Jake is an executive producer for the upcoming Netflix film, The Electric State. He has also executive produced The Grey Man and Extraction 2, two of Netflix's most successful films, and produced notable titles such as Mosul, Cherry, and the TV series Deadly Class for Syfy.  Before joining AGBO, Jake was a producer on the critically acclaimed, Golden Globe Award-winning series The Office and the Emmy Award-winning series Community. He began his career in the film industry as a producer on the Russo Brothers’ first independent film, Pieces.  Jake holds a BA in Theatre Arts from Case Western Reserve University. His appointment as Chief Innovation Officer marks a pivotal moment for AGBO as the company continues its growth across virtual and linear media landscapes. Under his leadership, the Innovation department is set to develop proprietary creative tools that enhance production innovation and cost efficiency, supporting AGBO's mission to create original, immersive content.

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Co-Producer:
2007  No. 6
2014  A Merry Friggin' Christmas

Executive Producer:
2007  No. 6
2014  A Merry Friggin' Christmas
2022  The Gray Man
2023  Extraction 2
2025  The Electric State

Producer:
1997  Pieces
2007  No. 6
2014  A Merry Friggin' Christmas
2021  Cherry
2022  The Gray Man
2023  Extraction 2
2025  The Electric State

Executive Producer:
2023  Citadel

Producer:
2009  Community
2023  Citadel

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.