A work in constant progress (and occasional regress).
Birthplace:
Ireland
Stephen O'Connell is an Irish Film Editor known for Maudie, Flora and Son, Normal People and and Willow. His work spans the Indie to the boldly commercial. Beginning his career at the legendary Windmill Lane Studios in Dublin, he has worked extensively in Europe and North America, Australia, Africa and Asia.
Editor:
1995 He Shoots, He Scores
1995 Miss Sarajevo
1998 The Breakfast
2001 Borstal Boy
2005 The Secret Language
2006 Kenneth Williams: Fantabulosa!
2007 Damage
2008 Filth: The Mary Whitehouse Story
2009 Framed
2010 Whistle and I'll Come to You
2013 The Sea
2013 The Wipers Times
2015 Viva
2016 Maudie
2016 The Nation Holds Its Breath
2017 The Man Who Invented Christmas
2019 Dark Lies the Island
2022 Feliz Navidad
2023 Flora and Son
???? Midwinter Break
Editor:
2002 Cutting It
2012 The Bletchley Circle
2012 Titanic: Blood and Steel
2017 Howards End
2019 The Name of the Rose
2020 Normal People
2024 Nightsleeper
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.