A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
November 18, 1954
Paula Gaitán is a french-colombian filmmaker, based in Brazil. She was married to the film-maker Glauber Rocha and made her debut as art director of the film The Age of the Earth (1980), a success at the Venice Film Festival. She currently directs experimental and monumental films.
Additional Editor:
2021 Ostinato
Art Direction:
1980 The Age of the Earth
2021 Ostinato
Cinematography:
1980 The Age of the Earth
2021 Ostinato
2021 Steps
Director:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Director of Photography:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Editor:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Executive Producer:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Producer:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Screenplay:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Sound:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Sound Design Assistant:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Sound Designer:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Writer:
1980 The Age of the Earth
1988 Uaka
1991 Lygiapape
2008 Days in Sintra
2008 Life
2009 Kogi
2010 Agreste
2013 Memória da memória
2013 The Volcano Exiles
2014 Night
2016 Subtle Interferences
2017 Elza Soares: A Mulher do Fim do Mundo
2019 30th anniversaire of FIDMarseille
2020 Dogs’ Street Opera
2020 Light in the Tropics
2020 Riverock
2021 Ostinato
2021 Promessas e Previsões
2021 Steps
2021 The Path is Made by Walking
2023 O Canto das Amapolas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.