A work in constant progress (and occasional regress).
Cinematography:
2023 La voz del huito
Screenstory:
2014 Traces of Sandalwood
2023 La voz del huito
Script Consultant:
2010 The Life of Fish
2014 Traces of Sandalwood
2023 La voz del huito
Story Editor:
2010 The Life of Fish
2014 Traces of Sandalwood
2016 The Chosen
2023 La voz del huito
Thanks:
2010 The Life of Fish
2014 Traces of Sandalwood
2016 The Chosen
2022 Mensajes privados
2023 La voz del huito
Writer:
2010 The Life of Fish
2014 Traces of Sandalwood
2016 The Chosen
2019 Life without Sara Amat
2019 The Days to Come
2020 One for All
2022 El castigo
2022 Mensajes privados
2023 La voz del huito
2024 They Will Be Dust
Creator:
2018 Vida privada
2022 To be or not to be
Script:
2018 Vida privada
2022 To be or not to be
Story:
2018 Vida privada
2019 Hierro
2022 To be or not to be
Writer:
2018 Vida privada
2019 Hierro
2022 To be or not to be
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.