A work in constant progress (and occasional regress).
Birthplace:
Yozgat, Turkey
Born:
July 21, 1942
Died:
May 21, 2019
Yavuz Özkan was a Turkish film director, screenwriter, and producer who was active in the Turkish film industry from the 1970s to the 2000s. He is best known for his films that deal with social and political issues, and for his collaborations with some of the leading actors of Turkish cinema. Özkan began his career as an assistant director on several films in the early 1970s. He made his directorial debut in 1975 with the film "Anayurt Oteli" (The Hotel Anatolia), which was a critical and commercial success. The film won several awards at the Antalya Golden Orange Film Festival, including the award for Best Film. Özkan went on to direct a number of successful films, including "Nehir" (The River, 1977), "Yol" (The Road, 1982), and "Hakkari'de Bir Mevsim" (A Season in Hakkari, 1983). These films are known for their realistic portrayal of Turkish society and for their strong political messages. Özkan was also a prolific screenwriter. He wrote the screenplays for many of his own films, as well as for films directed by other directors. He was a member of the Writers' Union of Turkey and was awarded the union's Grand Prize for his screenplay for the film "Yol". Özkan was a leading figure in Turkish cinema for over three decades. His films were widely acclaimed by critics and audiences alike, and he won numerous awards for his work. He was a committed and passionate filmmaker who used his films to explore important social and political issues. In addition to his work in film, Özkan was also active in theater and television. He directed several plays and television series, and he was a member of the board of directors of the Istanbul State Theater. Özkan passed away in 2019 at the age of 76. He is survived by his wife and two children. His legacy lives on through his films, which continue to be screened and studied by film lovers around the world. IMDb mini bio by YusufPiskin
Director:
1975 Yarış
1978 The Mine
1979 Demir Yol
1987 Yağmur Kaçakları
1988 Umut Yarına Kaldı
1989 Filim Bitti
1990 Büyük Yalnızlık
1991 Ateş Üstünde Yürümek
1992 Two Women
1994 Bir Sonbahar Hikayesi
1994 Lobster Pot
1995 Bir Kadının Anatomisi
1997 Bir Erkeğin Anatomisi
2004 Hayal Kurma Oyunları
2007 İsimsiz
2011 İlkbahar Sonbahar
2011 İstanbul'da Aşk
Producer:
1975 Yarış
1978 The Mine
1979 Demir Yol
1987 Yağmur Kaçakları
1988 Umut Yarına Kaldı
1989 Filim Bitti
1990 Büyük Yalnızlık
1991 Ateş Üstünde Yürümek
1992 Two Women
1994 Bir Sonbahar Hikayesi
1994 Lobster Pot
1995 Bir Kadının Anatomisi
1997 Bir Erkeğin Anatomisi
2004 Hayal Kurma Oyunları
2007 İsimsiz
2011 İlkbahar Sonbahar
2011 İstanbul'da Aşk
Screenplay:
1975 Yarış
1978 The Mine
1979 Demir Yol
1987 Yağmur Kaçakları
1988 Umut Yarına Kaldı
1989 Filim Bitti
1990 Büyük Yalnızlık
1991 Ateş Üstünde Yürümek
1992 Two Women
1994 Bir Sonbahar Hikayesi
1994 Lobster Pot
1995 Bir Kadının Anatomisi
1997 Bir Erkeğin Anatomisi
2004 Hayal Kurma Oyunları
2007 İsimsiz
2011 İlkbahar Sonbahar
2011 İstanbul'da Aşk
Writer:
1975 Yarış
1978 The Mine
1979 Demir Yol
1987 Yağmur Kaçakları
1988 Umut Yarına Kaldı
1989 Filim Bitti
1990 Büyük Yalnızlık
1991 Ateş Üstünde Yürümek
1992 Two Women
1994 Bir Sonbahar Hikayesi
1994 Lobster Pot
1995 Bir Kadının Anatomisi
1997 Bir Erkeğin Anatomisi
2004 Hayal Kurma Oyunları
2007 İsimsiz
2011 İlkbahar Sonbahar
2011 İstanbul'da Aşk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.