A work in constant progress (and occasional regress).
Co-Producer:
2018 Man Eaters
Colorist:
2015 Twelve
2018 Man Eaters
2023 The Other Side of Fortune
Digital Effects Producer:
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Man Eaters
2023 The Other Side of Fortune
Director:
2009 Footage Found
2012 The Inspector Chronicles
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Director of Photography:
2009 Footage Found
2012 The Inspector Chronicles
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Editor:
2009 Footage Found
2012 The Inspector Chronicles
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Graphic Novel Illustrator:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Original Story:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Producer:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Story:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
VFX Artist:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Visual Effects:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Visual Effects Supervisor:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Astro
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Writer:
2009 Footage Found
2012 The Inspector Chronicles
2013 Houseless
2015 Twelve
2016 End Game
2017 Angela
2017 Closure
2018 Astro
2018 Follow Me
2018 Live
2018 Man Eaters
2018 The Retreat
2019 Glimpse
2020 Cosmic Connection
2020 PER-SPEC-TIVE
2020 Playback
2022 Alone
2023 The Other Side of Fortune
Co-Producer:
???? Gritty & Pretty
Visual Effects:
???? Gritty & Pretty
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.