A work in constant progress (and occasional regress).
Art Direction:
1929 The Silent House
1929 What Next?
1930 Red Pearls
1930 The Last Hour
1931 Two Crowded Hours
1931 Two Way Street
1932 Hotel Splendide
1932 My Friend the King
1932 Self Made Lady
1932 The Return of Raffles
Assistant Director:
1929 The Silent House
1929 What Next?
1930 Red Pearls
1930 The Last Hour
1931 Night Shadows
1931 Two Crowded Hours
1931 Two Way Street
1932 Hotel Splendide
1932 My Friend the King
1932 Self Made Lady
1932 The Return of Raffles
Editor:
1926 Jungle Woman
1929 The Silent House
1929 What Next?
1930 Red Pearls
1930 The Last Hour
1931 Night Shadows
1931 Two Crowded Hours
1931 Two Way Street
1932 Hotel Splendide
1932 My Friend the King
1932 Self Made Lady
1932 The Return of Raffles
Set Designer:
1926 Jungle Woman
1929 The Silent House
1929 What Next?
1930 Red Pearls
1930 The Last Hour
1930 You'd Be Surprised!
1931 Night Shadows
1931 Rynox
1931 Two Crowded Hours
1931 Two Way Street
1932 Hotel Splendide
1932 My Friend the King
1932 Self Made Lady
1932 The Return of Raffles
Settings:
1926 Jungle Woman
1929 The Silent House
1929 What Next?
1930 Red Pearls
1930 The Last Hour
1930 You'd Be Surprised!
1931 Night Shadows
1931 Rynox
1931 Two Crowded Hours
1931 Two Way Street
1932 Hotel Splendide
1932 Men of Steel
1932 My Friend the King
1932 Self Made Lady
1932 The Return of Raffles
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.