A work in constant progress (and occasional regress).
Mitjili’s first drama was playing the title role in Warwick’s short film Na na, which was shot at the end of 2006. She has also been featured in Beck Cole’s SBS documentary Lore of Love, where she teaches her granddaughters about the traditional rules of love. Mitjili is Marissa Gibson’s actual step-grandmother and is thought to have been born around 1938 in Pintupi country, near Kiwirrkurra, WA. In 1957, when she was met by anthropologist Donald Thompson’s expedition, she was a married woman with one child and another on the way, living a traditional lifestyle. Mitjili’s bush skills are still in demand today, whether she is tracking endangered animals to help with scientific research, showing the secrets of the Western Desert to visiting film crews, or hunting for her own enjoyment. Through the 60s until the late 90s, Mitjili lived in the Yuendumu and Nyirripi Communities, before moving to Alice Springs. Acting is the latest of many jobs in Mitjili’s life. She has also taken up painting in the last few years and has quickly become a very highly regarded artist. Her first solo show at Gondwana Gallery sold out in a matter of hours and her colourful works are highly collectable. The beautiful artworks used in the film are her own. Warwick Thornton says of Mitjili, “What she brings is this incredible ray of sunshine, this amazing truth and reality to film. She just owns the screen.”
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.