A work in constant progress (and occasional regress).
Cinematography:
1969 Blues People
1970 Die Teilung aller Tage
1970 Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904)
1972 Durruti - Biography of a Legend
1981 Innere Sicherheit: Abraham Polonsky
1986 Reichsautobahn
Director:
1967 Am Ende der Krankheit
1968 De Oppresso Liber
1968 The Green Beret
1969 Blues People
1970 BER 69 LIN
1970 Die Teilung aller Tage
1970 Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904)
1972 Durruti - Biography of a Legend
1981 Innere Sicherheit: Abraham Polonsky
1986 Reichsautobahn
Director of Photography:
1967 Am Ende der Krankheit
1968 De Oppresso Liber
1968 The Green Beret
1969 Blues People
1970 BER 69 LIN
1970 Die Teilung aller Tage
1970 Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904)
1971 Something Self Explanatory (15x)
1972 Durruti - Biography of a Legend
1973 Die Maschine
1981 Innere Sicherheit: Abraham Polonsky
1984 Schwerter zu Pflugscharen
1986 Reichsautobahn
1988 Cinema and Death
1989 Elektro-Lähmung - Ein Film gegen die politische Ohnmacht
Editor:
1967 Am Ende der Krankheit
1968 De Oppresso Liber
1968 The Green Beret
1969 Blues People
1970 BER 69 LIN
1970 Die Teilung aller Tage
1970 Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904)
1971 Something Self Explanatory (15x)
1972 Durruti - Biography of a Legend
1973 Die Maschine
1981 Innere Sicherheit: Abraham Polonsky
1984 Schwerter zu Pflugscharen
1986 Reichsautobahn
1988 Cinema and Death
1989 Elektro-Lähmung - Ein Film gegen die politische Ohnmacht
Producer:
1967 Am Ende der Krankheit
1968 De Oppresso Liber
1968 The Green Beret
1969 Blues People
1970 BER 69 LIN
1970 Die Teilung aller Tage
1970 Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904)
1971 Something Self Explanatory (15x)
1972 Durruti - Biography of a Legend
1973 Die Maschine
1981 Innere Sicherheit: Abraham Polonsky
1984 Schwerter zu Pflugscharen
1986 Reichsautobahn
1988 Cinema and Death
1989 Elektro-Lähmung - Ein Film gegen die politische Ohnmacht
Still Photographer:
1967 Am Ende der Krankheit
1968 De Oppresso Liber
1968 The Green Beret
1969 Blues People
1970 BER 69 LIN
1970 Die Teilung aller Tage
1970 Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904)
1971 Something Self Explanatory (15x)
1972 Durruti - Biography of a Legend
1973 Die Maschine
1981 Innere Sicherheit: Abraham Polonsky
1984 Schwerter zu Pflugscharen
1986 Reichsautobahn
1988 Cinema and Death
1988 Slugs
1989 Elektro-Lähmung - Ein Film gegen die politische Ohnmacht
Writer:
1967 Am Ende der Krankheit
1968 De Oppresso Liber
1968 The Green Beret
1969 Blues People
1970 BER 69 LIN
1970 Die Teilung aller Tage
1970 Zum Begriff des 'kritischen Kommunismus' bei Antonio Labriola (1843-1904)
1971 Something Self Explanatory (15x)
1972 Durruti - Biography of a Legend
1973 Die Maschine
1981 Innere Sicherheit: Abraham Polonsky
1984 Schwerter zu Pflugscharen
1986 Reichsautobahn
1988 Cinema and Death
1988 Slugs
1989 Elektro-Lähmung - Ein Film gegen die politische Ohnmacht
Cinematography:
1975 Film Emigration from Nazi Germany
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.