A work in constant progress (and occasional regress).
Russell Earl joined the ranks at ILM in 1994 as a technical assistant on Casper. Since then, he has contributed to a number of blockbuster hits, including Mission: Impossible III and Pirates of the Caribbean: Dead Man's Chest, which was awarded the Oscar® for Best Visual Effects in 2006. Earl has been nominated for three Academy Awards®, the first for his work on Michael Bay's Transformers, the second for his work on J.J. Abram's Star Trek reboot, and the third for his work on Marvel's Captain America: The Winter Soldier. Prior to ILM, Earl worked for Douglas Trumbull, putting both his model-making skills and digital artistry to use on the Luxor ride film. While in college, Earl interned at VIFX and contributed to feature films such as Patriot Games, Batman Returns, and Toys. Earl holds an Industrial Design degree from Rhode Island School of Design and is a member of the Academy of Motion Picture Arts and Sciences.
CG Artist:
1998 Deep Rising
CG Supervisor:
1998 Deep Rising
2003 Tears of the Sun
2005 Star Wars: Episode III - Revenge of the Sith
Sequence Supervisor:
1998 Deep Rising
2002 Men in Black II
2003 Tears of the Sun
2005 Star Wars: Episode III - Revenge of the Sith
Visual Effects Supervisor:
1998 Deep Rising
2002 Men in Black II
2003 Tears of the Sun
2005 Star Wars: Episode III - Revenge of the Sith
2007 Transformers
2009 Star Trek
2011 Super 8
2012 Cloud Atlas
2012 Red Tails
2014 Captain America: The Winter Soldier
2015 Ant-Man
2016 Captain America: Civil War
2018 Ant-Man and the Wasp
2018 Avengers: Infinity War
2018 The Cloverfield Paradox
2019 Avengers: Endgame
2022 The Batman
2022 The Bubble
2023 Ant-Man and the Wasp: Quantumania
2023 Blue Beetle
2025 The Electric State
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.