A work in constant progress (and occasional regress).
Birthplace:
Paris, France
André Almuro is simultaneously a composer, musician, radio producer, performer, teacher and filmmaker. From his early childhood in the music world, he began his first sound research in 1947 at the Club d'Essai of the Radiodiffusion française (RDF), where he became producer in 1950 (he adapted texts from Jean Cocteau, Pablo Picasso, Eugène Ionesco , Jean Genet, Gracq, Jules Supervielle...) then joined in 1958 the Groupe de Recherches Musicales of l'ORTF. On that time he met Pierre Clementi, at the age of fifteen years, with whom he developed several collaborations. He founded his own recording studio in the 1960s in which he produced artists such as Colette Magny. In a parallel basis, he created a large number of pieces for magnetic tapes and electronic operas in which he seeks a "ceremonial atmosphere of magic and incantation, with or without the support of a text." (Dictionary of Music, Larousse). He began teaching at the Sorbonne in 1973 alongside with Dominique Noguez and Michel Journiac, where he founded three years later, with his students, the group Son-Image-Corps where were born more than thirty shows for which he composed music. In 1978 he directed his first film, Cortège, shot in Super 8mm, and made more than thirty other until his death.
Director:
1978 Cortège
1980 Hors-jeux
1982 L'habitacle
1982 Le corps perdu
1986 Point vélique
1987 L'inopiné
1988 Flash
1988 Le lever des corps
1989 Le troisième oeil
1990 Clônes
1991 Continuum
1992 Rumeur
1994 Littérale
1995 Tropes
1997 Entelechie
Music:
1955 Vibrations
1978 Cortège
1980 Hors-jeux
1982 L'habitacle
1982 Le corps perdu
1986 Point vélique
1987 L'inopiné
1988 Flash
1988 Le lever des corps
1989 Le troisième oeil
1990 Clônes
1991 Continuum
1992 Rumeur
1994 Littérale
1995 Tropes
1997 Entelechie
Sound:
1955 Vibrations
1978 Cortège
1980 Hors-jeux
1982 L'habitacle
1982 Le corps perdu
1986 Point vélique
1987 L'inopiné
1988 Flash
1988 Le lever des corps
1989 Le troisième oeil
1990 Clônes
1991 Continuum
1992 Rumeur
1994 Littérale
1995 Tropes
1997 Entelechie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.