Ray Sturgess (b. 1910)

Gallery Unavailable

Birthplace:
London, England, UK

Born:
October 28, 1910

Additional information:

The Search Form


Additional Photography:
1962  In Search of the Castaways
1969  Guns in the Heather

Camera Operator:
1943  The Gentle Sex
1944  Tawny Pipit
1947  Hungry Hill
1950  Prelude to Fame
1950  Seven Days to Noon
1951  High Treason
1951  Tom Brown's Schooldays
1955  Josephine and Men
1957  Lucky Jim
1957  The One That Got Away
1958  A Question of Adultery
1958  Law and Disorder
1959  Shake Hands with the Devil
1962  In Search of the Castaways
1964  Father Came Too!
1964  Strictly for the Birds
1965  Diamond Walkers
1965  The Naked Prey
1968  Hostile Witness
1968  The Vengeance of She
1969  Guns in the Heather
1974  The Mutations

Director of Photography:
1943  The Gentle Sex
1944  Tawny Pipit
1947  Hungry Hill
1950  Prelude to Fame
1950  Seven Days to Noon
1951  High Treason
1951  Tom Brown's Schooldays
1953  The Landowner's Daughter
1954  Floradas na Serra
1955  Josephine and Men
1957  Lucky Jim
1957  The One That Got Away
1958  A Question of Adultery
1958  Law and Disorder
1959  Shake Hands with the Devil
1962  In Search of the Castaways
1964  Father Came Too!
1964  Strictly for the Birds
1965  Diamond Walkers
1965  The Naked Prey
1968  Hostile Witness
1968  The Vengeance of She
1969  Guns in the Heather
1974  The Mutations

Second Unit Director of Photography:
1943  The Gentle Sex
1944  Tawny Pipit
1947  Hungry Hill
1950  Prelude to Fame
1950  Seven Days to Noon
1951  High Treason
1951  Tom Brown's Schooldays
1953  The Landowner's Daughter
1954  Floradas na Serra
1955  Josephine and Men
1957  Lucky Jim
1957  The One That Got Away
1958  A Question of Adultery
1958  Law and Disorder
1959  Shake Hands with the Devil
1962  In Search of the Castaways
1964  Father Came Too!
1964  Strictly for the Birds
1965  Diamond Walkers
1965  The Naked Prey
1968  Hostile Witness
1968  The Vengeance of She
1969  Guns in the Heather
1974  The Mutations
1977  Candleshoe

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.