A work in constant progress (and occasional regress).
Birthplace:
Kuressaare, Estonian SRR, USSR [now Estonia]
Born:
May 21, 1968
Ilmar Raag (born May 21, 1968 in Kuressaare) is an Estonian media executive, actor, screenwriter and film director, best known for his socio-critical film The Class. He has served as CEO of Estonian Television from 2002 to 2005. He is a well known columnist in many prestigious Estonian newspapers (Postimees, Eesti Päevaleht). He has written many scripts and directed critically acclaimed films, notably August 1991 and The Class. He received his high school education from Aleksander Mui (:et) secondary school No 2 of Kingissepa. He graduated from University of Tartu in 1997 and received his M.A. degree in screenwriting from Ohio University, the School of Telecommunications (1999). He made internships in Hollywood development departments (New Regency, Phoenix Pictures). His further career took him to the TV management. After being the Head of Acquisitions for Estonian National Television, he was promoted to the Chairman of the Board of the same TV company. In 2002, he staged a play in one of the Estonian theaters (Ugala). At the same time, he started to consult and doctor Estonian feature scripts. In 2004, he wrote two TV feature scripts. He directed one of them - August 1991 as made-for-TV movie for Estonian Television and the other, One More Croissant got the third prize at Hartley Merill International Screenwriting Competition and the support from MEDIA New Talent program. Eager to continue his filmmaking career, he quit as CEO of Estonian Television and made his first feature film The Class in 2007. Since then he shot a feature in France Une Estonienne à Paris with Jeanne Moreau and Laine Mägi in leading roles, back in Estonia Kertu that was released in 2013 and in Russia I Won't Come Back.
Development Producer:
2001 The Heart of the Bear
Director:
1998 Killing Tartu
2001 The Heart of the Bear
2005 August 1991
2007 The Class
2010 September
2011 That's IT!
2012 A Lady in Paris
2013 Love Is Blind
2014 I Won't Come Back
2022 Erik Stoneheart
Producer:
1998 Killing Tartu
2001 The Heart of the Bear
2005 August 1991
2007 The Class
2010 September
2011 That's IT!
2012 A Lady in Paris
2013 Love Is Blind
2014 I Won't Come Back
2022 Erik Stoneheart
Screenplay:
1998 Killing Tartu
2001 The Heart of the Bear
2005 August 1991
2005 The Curse of the Werewolf
2007 The Class
2008 I Was Here
2010 September
2011 That's IT!
2012 A Lady in Paris
2013 Love Is Blind
2014 I Won't Come Back
2022 Erik Stoneheart
Script Editor:
1998 Killing Tartu
2001 The Heart of the Bear
2005 August 1991
2005 The Curse of the Werewolf
2007 The Class
2008 December Heat
2008 I Was Here
2010 September
2011 That's IT!
2012 A Lady in Paris
2013 Love Is Blind
2014 I Won't Come Back
2022 Erik Stoneheart
Writer:
1998 Killing Tartu
2001 The Heart of the Bear
2005 August 1991
2005 The Curse of the Werewolf
2006 Visit of an Old Lady
2007 The Class
2008 December Heat
2008 I Was Here
2010 September
2011 That's IT!
2012 A Lady in Paris
2013 Love Is Blind
2014 I Won't Come Back
2022 Erik Stoneheart
Creator:
2010 The Class: Life After
2015 Free men
Director:
2010 The Class: Life After
2015 Free men
Writer:
2010 The Class: Life After
2015 Free men
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.