A work in constant progress (and occasional regress).
Birthplace:
Tallinn, Estonia
Born:
February 2, 1926
Died:
April 24, 2004
Lia Laats (February 2, 1926 – April 24, 2004) was an Estonian stage and film actress whose career spanned over forty years. Lia Laats was born in Tallinn to Karl René Laats and Helmi Karin Laats (née Tähe), who both worked as domestic servants. She had two older half-siblings from her father's previous marriage. She studied at the National Drama Theatre (now, the Estonian Drama Theatre) in Tallinn, but left her studies in 1946 without graduating. Lia Laats made her screen debut in the 1947 Herbert Rappaport directed Soviet-Estonian language drama Elu tsitadellis (English: Life in a Citadel) for Lenfilm, based on the 1946 play of the same name by Estonian author and communist politician August Jakobson. Elu tsitadellis was the first post-World War II Estonian feature film, following the annexation of Estonia into the Soviet Union. The plot largely revolves around the arrival of the Soviets following the German occupation of Estonia in 1944 and justice being meted out to Estonians who had collaborated with German occupying forces. The film ends with jubilant Estonians celebrating their "liberation" and inclusion into the Soviet Union; accepting the communist ideology. Both the film and Laats were awarded the Stalin Prize. Following several more dramas, Lia Laats was paired with Estonian singer Georg Ots in the 1961 Viktor Nevežin directed light comedy Juhuslik kohtumine. Laats' most memorable roles are arguably in three comedies directed by Sulev Nõmmik and paired onscreen with actor Ervin Abel. The first of which was 1968's Mehed ei nuta, followed by Noor pensionär in 1972 and Siin me oleme! in 1979. The three films proved to be very popular and are still often broadcast on Estonian television.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.