A work in constant progress (and occasional regress).
Alias:
Андрей Меснянкин
Color Designer:
2013 Cinephile
2016 Molodogvardeytsev 32
Colorist:
2013 Cinephile
2016 Molodogvardeytsev 32
2018 Ice
Digital Intermediate:
2013 Cinephile
2016 Molodogvardeytsev 32
2016 The Icebreaker
2016 Viking
2018 Ice
2018 Sobibor
Digital Intermediate Colorist:
2013 Cinephile
2016 Molodogvardeytsev 32
2016 The Icebreaker
2016 The Student
2016 Viking
2018 Ice
2018 Sobibor
2019 The Blackout
2020 Sputnik
2021 Sardar Udham
2025 The Disappearance of Josef Mengele
VFX Supervisor:
2006 Butterfly Kiss
2007 Seven Booths
2007 The Irony of Fate. The Sequel
2011 Moolah
2011 SuperManager, or Hack of the Fate
2012 Short Stories
2013 Cinephile
2016 Molodogvardeytsev 32
2016 The Icebreaker
2016 The Student
2016 Viking
2018 Ice
2018 Sobibor
2019 The Blackout
2020 Sputnik
2021 Sardar Udham
2025 The Disappearance of Josef Mengele
Visual Effects Producer:
2006 Butterfly Kiss
2007 Seven Booths
2007 The Irony of Fate. The Sequel
2011 Brides in Exchange
2011 Moolah
2011 SuperManager, or Hack of the Fate
2012 Short Stories
2013 Cinephile
2016 Molodogvardeytsev 32
2016 The Icebreaker
2016 The Student
2016 Viking
2018 Ice
2018 Sobibor
2019 The Blackout
2020 Sputnik
2021 Sardar Udham
2025 The Disappearance of Josef Mengele
Visual Effects Supervisor:
2004 Night Watch
2006 Butterfly Kiss
2007 1612: Chronicles of the Dark Time
2007 Mongol: The Rise of Genghis Khan
2007 Seven Booths
2007 The Irony of Fate. The Sequel
2011 Brides in Exchange
2011 Moolah
2011 SuperManager, or Hack of the Fate
2012 Short Stories
2013 Cinephile
2016 Molodogvardeytsev 32
2016 The Icebreaker
2016 The Student
2016 Viking
2018 Ice
2018 Sobibor
2019 The Blackout
2020 Sputnik
2021 Sardar Udham
2025 The Disappearance of Josef Mengele
Colorist:
2022 Doomsday
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.