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Lindsay Blair Goeldner

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Alias:
Lindsay Goeldner

Biography from TheMovieDB

Lindsay is a film producer and karaoke enthusiast based in Toronto. After completing the Producer Lab program at the Canadian Film Centre in 2019, she teamed up with fellow Producer Lab alumni Shant Joshi to join Fae Pictures as the Director of Production. She is currently lead producing and providing production oversight to several projects including a drag queen coming-of-age story Queen Tut (dir. Reem Morsi), feature-length art documentary The Archivist (dir. Tricia Hagoriles), two episodic dramedies Streams Flow from a River (dir. Christopher Yip) and Degrees of Separation (dir. Eva Grant). Her previous credits include There’s No Place Like This Place, Anyplace (Hot Docs, CBC), Learn to Swim (TIFF), Death Valley (Fantasia, Tallahassee) and Salmon Pink (Popcorn Frights, FilmQuest) among others.  In September 2022, three of her films will have world premieres at the Toronto International Film Festival including the short thriller Diaspora (dir. Tyler Evans), trans-led drama Scaring Women at Night (dir. Karimah Zakia Issa), and video store coming-of-age feature I Like Movies (dir. Chandler Levack).  When she's not on set or at a karaoke night, you can find her recommending movies on TikTok: https://www.tiktok.com/@lindsaysonline

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Additional information:

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Film Performances

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Film Production

Associate Producer:
2021  Learn to Swim

Line Producer:
2020  There's No Place Like This Place, Anyplace
2021  Learn to Swim

Producer:
2020  Misha
2020  There's No Place Like This Place, Anyplace
2021  Death Valley
2021  Learn to Swim
2021  Salmon Pink
2022  Diaspora
2022  Scaring Women at Night
2023  I Like Movies
2024  Queen Tut

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.