A work in constant progress (and occasional regress).
Birthplace:
São Paulo, São Paulo, Brazil
Born:
January 1, 1979
Eliza Capai (born 1979) is a Brazilian independent documentary filmmaker who focuses on social issues. She is especially interested in amplifying voices from marginalized sectors of society in order to foster empathy in audiences. Thinking about creative modes of production, narration, and distribution are also priorities in her work.
Cinematography:
2013 Here is So Far
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2023 Incompatible with Life
Director:
2013 Here is So Far
2013 Severinas
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2017 #Resistance
2019 Your Turn
2023 Incompatible with Life
Director of Photography:
2013 Here is So Far
2013 Severinas
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2017 #Resistance
2019 Your Turn
2023 Incompatible with Life
Editor:
2013 Here is So Far
2013 Severinas
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2017 #Resistance
2019 Your Turn
2023 Incompatible with Life
Executive Producer:
2013 Here is So Far
2013 Severinas
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2017 #Resistance
2019 Your Turn
2023 Incompatible with Life
Producer:
2013 Here is So Far
2013 Severinas
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2017 #Resistance
2019 Your Turn
2023 Incompatible with Life
Sound Editor:
2013 Here is So Far
2013 Severinas
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2017 #Resistance
2019 Your Turn
2023 Incompatible with Life
Writer:
2013 Here is So Far
2013 Severinas
2014 As Time Flies Slowly By
2016 The Tortoise and the Tapir
2017 #Resistance
2019 Your Turn
2023 Incompatible with Life
Director:
2021 Elize Matsunaga: Once Upon a Crime
2024 O Prazer é Meu
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.