A work in constant progress (and occasional regress).
Birthplace:
Columbus, Ohio, USA
lydia marie hicks is a feral artist raised by farmers and craftspeople whose practice interweaves storytelling, deep ecology, and process-based adaptive reuse. A product of the Great Migration and the Midwest, hicks seeks to forge connections across identity, origin, and probability patterns, often drawing on their background in zoology they blend social histories and natural histories to generate grandiose metaphors for reconnection or explanation. Holding an MFA in Film/Video from CalArts and a BS in Zoology (+business, communications, francophone studies, and scuba diving) from Cal Poly Humboldt, hicks’s work spans film, installation, and site-responsive media. Known for the video and place-based installation Black in the Water (2018) and the experimental documentary Rediscovering the Scientist (2016), hicks’s projects take a systems approach to challenge dominant narratives and celebrate marginalized communities. Their cinematography has been featured by National Geographic, premiered at Sundance Film Festival, and showcased in international venues. Unbound by medium, hicks uses film as a cornerstone in a practice centered on creating environments where ideas may be experienced and observed to foster dialogue on culture, ecology, healing, and memory. hicks has received support from institutions including the EarthFire Institute, WildSumaco Biological Station, Interlochen Center for the Arts, Guild Hall, and the Fine Arts Work Center in Provincetown. With an emphasis on connection, reclamation, and resilience, they strive to restore links between people, places, and legacies, building spaces for stories that honor resistance, healing, and transformation.
Cinematography:
2014 Fe26
2014 Sound That
Director:
2014 Fe26
2014 Sound That
2024 Lake Idlewild
2024 Marbled Golden Eyes
Sound Recordist:
2014 Fe26
2014 Sound That
2016 Ears, Nose and Throat
2024 Lake Idlewild
2024 Marbled Golden Eyes
2024 Practice, Practice, Practice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.