A work in constant progress (and occasional regress).
Naeem Mohaiemen combines essays, films, photography, and installations to research the idea of socialism, incomplete decolonization, shifting borders, and unreliable memory. Despite underscoring a historic left tendency toward misrecognition of allies, a hope for a future transnational left as the only possible alternative to current cages of race and religion is a basis for the work. He was a 2014 Guggenheim Fellow, 2018 Turner Prize finalist, and was shortlisted for the 2019 Herb Alpert Award. His films have been programmed at film festivals internationally. He is the author of “Midnight’s Third Child” (Nokta, forthcoming) and “Prisoners of Shothik Itihash” (Kunsthalle Basel, 2014), as well as co-editor of several other volumes. His work has been shown in solo exhibitions and biennales around the world and is housed in the permanent collections of Kiran Nadar Museum, Delhi, Museum of Modern Art, New York and Tate Modern, London, among others. He has a PhD in Anthropology from Columbia University.
Director:
2011 United Red Army (The Young Man Was, Part I)
2014 Afsan’s Long Day (The Young Man Was, Part 2)
2015 Last Man in Dhaka Central (The Young Man Was, Part 3)
2016 Abu Ammar is Coming
2017 Tripoli Cancelled
2017 Two Meetings and a Funeral
2021 Those Who Do Not Drown
???? Rankin Street, 1953
Editor:
2011 United Red Army (The Young Man Was, Part I)
2014 Afsan’s Long Day (The Young Man Was, Part 2)
2015 Last Man in Dhaka Central (The Young Man Was, Part 3)
2016 Abu Ammar is Coming
2017 Tripoli Cancelled
2017 Two Meetings and a Funeral
2021 Those Who Do Not Drown
???? Rankin Street, 1953
Producer:
2011 United Red Army (The Young Man Was, Part I)
2014 Afsan’s Long Day (The Young Man Was, Part 2)
2015 Last Man in Dhaka Central (The Young Man Was, Part 3)
2016 Abu Ammar is Coming
2017 Tripoli Cancelled
2017 Two Meetings and a Funeral
2021 Those Who Do Not Drown
???? Rankin Street, 1953
Writer:
2011 United Red Army (The Young Man Was, Part I)
2014 Afsan’s Long Day (The Young Man Was, Part 2)
2015 Last Man in Dhaka Central (The Young Man Was, Part 3)
2016 Abu Ammar is Coming
2017 Tripoli Cancelled
2017 Two Meetings and a Funeral
2021 Those Who Do Not Drown
???? Rankin Street, 1953
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.