A work in constant progress (and occasional regress).
Alias:
OJOBOCA
Director:
2010 Enter
2011 Awe Shocks
2012 Eigenheim
2012 Oro Parece
2012 The Handeye: Bone Ghosts
2013 A Flea’s Skin Would Be Too Big For You
2013 A Home Inside
2013 Come and dance with me.
2014 Apocalypse for You
2014 Cloud Shadows
2014 Dog People
2014 Now I Want to Laugh
2016 New Museum of Mankind
2016 The Masked Monkeys
2017 Heliopolis Heliopolis
2018 Comfort Stations
2019 External Shudders
2019 The Skin is Good
2021 Her Name Was Europa
2022 Enthusiasm
2022 Instant Life
2023 A Running Woman
2023 Natural Human
???? Print Analysis (2 B)
???? Swarm
Editor:
2010 Enter
2011 Awe Shocks
2012 Eigenheim
2012 Oro Parece
2012 The Handeye: Bone Ghosts
2013 A Flea’s Skin Would Be Too Big For You
2013 A Home Inside
2013 Come and dance with me.
2014 Apocalypse for You
2014 Cloud Shadows
2014 Dog People
2014 Now I Want to Laugh
2016 New Museum of Mankind
2016 The Masked Monkeys
2017 Heliopolis Heliopolis
2018 Comfort Stations
2019 External Shudders
2019 The Skin is Good
2021 Her Name Was Europa
2022 Enthusiasm
2022 Instant Life
2023 A Running Woman
2023 Natural Human
???? Print Analysis (2 B)
???? Swarm
Writer:
2010 Enter
2011 Awe Shocks
2012 Eigenheim
2012 Oro Parece
2012 The Handeye: Bone Ghosts
2013 A Flea’s Skin Would Be Too Big For You
2013 A Home Inside
2013 Come and dance with me.
2014 Apocalypse for You
2014 Cloud Shadows
2014 Dog People
2014 Now I Want to Laugh
2016 New Museum of Mankind
2016 The Masked Monkeys
2017 Heliopolis Heliopolis
2018 Comfort Stations
2019 External Shudders
2019 The Skin is Good
2021 Her Name Was Europa
2022 Enthusiasm
2022 Instant Life
2023 A Running Woman
2023 Natural Human
???? Print Analysis (2 B)
???? Swarm
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.