A work in constant progress (and occasional regress).
Birthplace:
Ibiza, Balearic Islands, Spain
Born:
January 1, 1980
Born from Chilean parents, Théo Court (1980) grew up in Spain and Chile. In 1999, he started an education in photography in Madrid. In 2000, he returned to Chile where he began his film studies at the Arcis University. In 2004, he graduated in Directing at the International School of Film and TV in Cuba. He developed the script of his first feature film, Ocaso (2010), with the support of IFFR's Hubert Bals Fund. The film premiered in Rotterdam. Blanco en blanco (2019) is his second feature film.
Assistant Director:
2003 El último disparo del Negro Chávez
2004 El aspado
Continuity:
2003 El último disparo del Negro Chávez
2004 El aspado
Director:
2003 El último disparo del Negro Chávez
2004 El Espino
2004 El aspado
2006 Sendero
2010 Ocaso
2020 White on White
???? Three Dark Nights
Idea:
2003 El último disparo del Negro Chávez
2004 El Espino
2004 El aspado
2006 Sendero
2010 Ocaso
2020 White on White
???? Three Dark Nights
Screenplay:
2003 El último disparo del Negro Chávez
2004 El Espino
2004 El aspado
2006 Sendero
2010 Ocaso
2020 White on White
???? Three Dark Nights
Script Consultant:
2003 El último disparo del Negro Chávez
2004 El Espino
2004 El aspado
2006 Sendero
2010 Ocaso
2020 White on White
2023 Faultless
???? Three Dark Nights
Thanks:
2003 El último disparo del Negro Chávez
2004 El Espino
2004 El aspado
2006 Sendero
2010 Ocaso
2020 White on White
2023 Faultless
2024 A Desired Day
???? Three Dark Nights
Writer:
2003 El último disparo del Negro Chávez
2004 El Espino
2004 El aspado
2006 Sendero
2010 Ocaso
2020 White on White
2023 Faultless
2024 A Desired Day
???? Three Dark Nights
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.