A work in constant progress (and occasional regress).
Birthplace:
Australia
Born:
January 1, 1941
Died:
August 22, 1998
Aggy Read was born in 1941. He was a director and producer, known for Transition (1967), Dance of Euclid (1967) and A Random Walk to Classical Ruin (1970). He died on August 22, 1998 in Brisbane, Australia. Film-maker, lecturer and croquet champion Aggy Read died in Brisbane on Sunday August 22 1998 after a short battle with cancer. He was best known as the former manager of the UBU Films group in Sydney from 1965-1970. After meeting Albie Thoms at Sydney University, they formed UBU with David Perry, John Clark and associates including Phillip Noyce, Garry Shead, Gary Stiven, Paul Winkler and others. As one of the seminal figures in UBU Aggy was (along with Thoms) the public face of the group, making numerous appearances on television on This Day Tonight, The Don Lane Show and many others, on radio and in the many newspaper articles written about the group. Aggy was charged with smuggling after sending a copy of David Perry's film A Portait of Abigayl's Belly to the Oberhausen Festival in West Germany; the trial caused considerable outrage in Australia, and led later to the repeal of the archaic censorship laws that governed the importation and classification of motion pictures by Senator Don Chipp in 1970. Later, UBU evolved into the Sydney Filmmakers Co-op and Aggy Read was one of the foundation members (as Secretary) at the same time he was working with Thoms, Brett Whitely, and Martin Sharp at the now famous artist commune the Yellow House in Potts Point. In 1973 Read moved to Adelaide to lecture at Flinders University. He was one of the founding members of the Experimental Art Foundation (with Brook, Fleugelman, Frith and Llewelyn) and the Media Resource Centre, working there as the Finance Officer until 1978. In 1985 Read moved to Brisbane lecturing part-time at Griffith University and working at the Heart Foundation. Along with his many advocacy roles for independent film in Australia, and his many contributions to the films of Albie Thoms, Mike Parr and Ben Elfick, Read was a keen hot air ballloonist and croquet player, winning the Australian Men’s title in 1997. Of his many films, Aggy is perhaps best remembered for his outrageous classic Boobs A Lot which caused a near riot at the 1968 Sydney Film Festival when it was first screened by new Director of the Festival David Stratton. A true Australian libertarian and larrikin, Aggy Read remained committed to fostering the development of creative film in Australia, he will be remembered by many in this country for his infectious enthusiasm and tireless wit. Aggy Read is survived by his wife, writer and actress Judith Arthy, a stepson Luke, and his mother and brother in Sydney. Original obituary by Peter Mudie
Director:
1967 Super Block High
1967 Transition
1968 Boobs a Lot
1969 Infinity Girl
1975 Sex Toons
Production Manager:
1967 Bolero
1967 Super Block High
1967 Transition
1968 Boobs a Lot
1969 Infinity Girl
1975 Sex Toons
Sound:
1967 Bolero
1967 Super Block High
1967 Transition
1968 Boobs a Lot
1969 Infinity Girl
1972 Ningla A-Na
1975 Sex Toons
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.