A work in constant progress (and occasional regress).
Marcos Efron, born in Buenos Aires, Argentina and raised in Houston, Texas, initially pursued a business degree at the University of Texas at Austin. He transitioned from an investment banking career in New York to creative pursuits in Los Angeles. While initially a studio executive, Marcos ventured into directing commercials and music videos for artists such as Jewel and The Fates. His short film "Common Practice" premiered at Sundance, prompting him to fully commit to developing film and TV projects. Holding dual USA/Argentina citizenship, Marcos is fluent in Spanish and Italian.
Director:
2010 And Soon the Darkness
2019 The Pink Chateau
2024 Last Night on Earth
???? Pearl
Screenplay:
2010 And Soon the Darkness
2019 The Pink Chateau
2024 Last Night on Earth
???? Pearl
Writer:
2010 And Soon the Darkness
2019 The Pink Chateau
2024 Last Night on Earth
???? Pearl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.