A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
December 9, 1969
Allison Smith's career started on Broadway at the age of nine, in the original production of "Evita", quickly followed by her landing the title role of "Annie" on Broadway in the musical "Annie" at the age of ten. She was the longest-running and youngest star of a Broadway musical at that time, playing the role for over 1,000 performances; nearly 3 years. She's given vocal performances at Carnegie Hall, The Kennedy Center, Radio City Music Hall, and The White House. After "Annie", she was cast on "Kate and Allie", playing the role of "Jennie Lowell" on CBS for six seasons. Allison recurred in all seven seasons of NBC's The West Wing (1999) as "Mallory O'Brien", the chief of staff's daughter / Sam Seaborn's (Rob Lowe's) love interest. She was in the CBS miniseries Helter Skelter (2004), in which she portrayed real-life Charles Manson murderess Patricia Krenwinkel, and gave a stellar performance starring as the guest in the pilot of The Closer (2005). She has starred in several regular television series: Buddy Faro (1998), Spy Game (1997). She played the lead in the independent feature, A Reason to Believe (1995), and supporting roles in such features as Holes (2003) and Switchback (1997). Other theater work includes starring in the L.A. premiere production of David Mamet's "Oleanna", "QED" opposite Alan Alda at the Mark Taper Forum and with Randy Newman in his musical "The Education of Randy Newman", at South Coast Rep, for which her vocal performance got rave reviews. Also a writer, she was born in New York City and raised in Bergen County, New Jersey.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.