A work in constant progress (and occasional regress).
ADR & Dubbing:
2013 Cinco de Mayo: The Battle
ADR Editor:
2013 Cinco de Mayo: The Battle
2014 The Perfect Dictatorship
ADR Supervisor:
2013 Cinco de Mayo: The Battle
2014 The Perfect Dictatorship
2020 Beginning
Dialogue Editor:
2013 Aningaaq
2013 Cinco de Mayo: The Battle
2014 The Perfect Dictatorship
2015 Captive
2020 Beginning
Sound:
2013 Aningaaq
2013 Cinco de Mayo: The Battle
2014 The Perfect Dictatorship
2015 Captive
2020 Beginning
2020 Nahjum
2021 Mientras tanto
2024 Noche de Bodas
???? Eternal Return
Sound Designer:
2013 Aningaaq
2013 Cinco de Mayo: The Battle
2014 The Perfect Dictatorship
2015 Captive
2017 A Family Love Story
2018 América
2018 Ruptured City
2020 Beginning
2020 Nahjum
2021 Marbles
2021 Mientras tanto
2022 Sermon to the Fish
2023 Huesera: The Bone Woman
2023 Phantom Love
2024 Noche de Bodas
2024 Passarinho
2025 Luna Rosa: La 7ª ascensión de Atabey
???? Eternal Return
Sound Editor:
2013 Aningaaq
2013 Cinco de Mayo: The Battle
2014 The Perfect Dictatorship
2015 Captive
2015 Kings of Nowhere
2017 A Family Love Story
2018 América
2018 Ruptured City
2020 Beginning
2020 Nahjum
2021 Marbles
2021 Mientras tanto
2022 Sermon to the Fish
2023 Huesera: The Bone Woman
2023 Phantom Love
2024 Noche de Bodas
2024 Passarinho
2025 Luna Rosa: La 7ª ascensión de Atabey
???? Eternal Return
Supervising Dialogue Editor:
2013 Aningaaq
2013 Cinco de Mayo: The Battle
2014 The Perfect Dictatorship
2015 Captive
2015 Kings of Nowhere
2017 A Family Love Story
2018 América
2018 Ruptured City
2020 Beginning
2020 Nahjum
2021 Marbles
2021 Mientras tanto
2022 Sermon to the Fish
2023 Huesera: The Bone Woman
2023 Phantom Love
2024 Noche de Bodas
2024 Passarinho
2025 Luna Rosa: La 7ª ascensión de Atabey
???? Eternal Return
Sound:
2022 Harina
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.