A work in constant progress (and occasional regress).
Director:
1988 Thanks Girls and Goodbye
Executive Producer:
1988 Thanks Girls and Goodbye
2006 Irresistible
2018 Jill Bilcock: Dancing the Invisible
2020 Brazen Hussies
2022 Ablaze
2022 Anonymous Club
???? Jimpa
Producer:
1988 Thanks Girls and Goodbye
1991 Mr Neal Is Entitled to Be an Agitator
1994 Conspiracy: An Investigation of Sydney’s 1978 Hotel Bombing
1997 Road to Nhill
2003 Japanese Story
2006 Hunt Angels
2006 Irresistible
2008 Dominick Dunne: After the Party
2010 Michael Kirby: Don't Forget the Justice Bit
2015 The Dressmaker
2018 Jill Bilcock: Dancing the Invisible
2019 The Show Must Go On
2020 Brazen Hussies
2022 Ablaze
2022 Anonymous Club
2024 The Search for the Palace Letters
???? Jimpa
Still Photographer:
1988 Thanks Girls and Goodbye
1991 Mr Neal Is Entitled to Be an Agitator
1994 Conspiracy: An Investigation of Sydney’s 1978 Hotel Bombing
1997 Road to Nhill
2003 Japanese Story
2006 Hunt Angels
2006 Irresistible
2008 Dominick Dunne: After the Party
2010 Michael Kirby: Don't Forget the Justice Bit
2015 The Dressmaker
2018 Jill Bilcock: Dancing the Invisible
2019 The Show Must Go On
2020 Brazen Hussies
2022 Ablaze
2022 Anonymous Club
2024 The Search for the Palace Letters
???? Jimpa
Writer:
1988 Thanks Girls and Goodbye
1991 Mr Neal Is Entitled to Be an Agitator
1994 Conspiracy: An Investigation of Sydney’s 1978 Hotel Bombing
1997 Road to Nhill
2003 Japanese Story
2006 Hunt Angels
2006 Irresistible
2008 Dominick Dunne: After the Party
2010 Michael Kirby: Don't Forget the Justice Bit
2015 The Dressmaker
2018 Jill Bilcock: Dancing the Invisible
2019 The Show Must Go On
2020 Brazen Hussies
2022 Ablaze
2022 Anonymous Club
2024 The Search for the Palace Letters
???? Jimpa
Executive Producer:
2013 Australian Encounters
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.