A work in constant progress (and occasional regress).
Ian Darling is an award-winning documentary filmmaker. He is Executive Director of Shark Island Institute and Chair of Shark Island Foundation. His Director and Producer credits for Shark Island Productions include THE POOL, THE TWINS, THE FINAL QUARTER, PAUL KELLY — STORIES OF ME, THE OASIS, SUZY & THE SIMPLE MAN, IN THE COMPANY OF ACTORS, ALONE ACROSS AUSTRALIA, WOODSTOCK FOR CAPITALISTS, POLLY & ME and THE COMEDIAN. He was also a Producer on THE DEPARTMENT, LIFE AFTER THE OASIS, WALL BOY and STORIES FROM THE INSIDE, and an Executive Producer of FLY, WASH MY SOUL IN THE RIVER’S FLOW, PAPER AND GLUE, ALLEN V. FARROW, ON THE RECORD, 2040, THE FOURTH ESTATE, THE BLEEDING EDGE, UNREST, INVENTING TOMORROW and HOW TO CHANGE THE WORLD. Ian Darling is currently directing and producing the feature documentaries THE POOL and THE VALLEY. He co-wrote and acted in the award-winning play THE TWINS, a two-hander with comedian Greg Fleet. In 2021 the play was performed over 75 shows in Adelaide, Sydney, Kangaroo Valley, Canberra and Melbourne. His photographs have been finalists in the National Photographic Portrait Prize, the Moran Contemporary Photographic Prize, the Sydney Life Photography Prize and the Head On Portrait Prize. Ian Darling was Chair of The Caledonia Foundation from 2002 to 2022. He was Founder (and former Chair) of Documentary Australia Foundation, and Founder of Good Pitch Australia, which funded and helped create 19 social impact documentaries and outreach campaigns. He is a Member of the Impact Partners Advisory Board in New York. He was a former Chair of Sydney Theatre Company and STC Foundation, and a Director of National Institute of Dramatic Art (NIDA) and The Salvation Army Advisory Board. He received the Byron Kennedy Award for innovation and the relentless pursuit of excellence at the 2018 AACTA Awards. Ian received the AFI/AACTA Award for Best Direction in a Documentary, has twice been a Walkley Awards Finalist, a winner of two Film Critics Award, and nominated for numerous Australian Directors Guild, AFI/AACTA, and IF awards. He was named Australia’s Leading Philanthropist by Philanthropy Australia in 2017. He is a recipient of the Creative Partnerships Australia Business Leadership Award, and his homeless film project THE OASIS was named one of ‘Australia’s Top 50 Philanthropic Gifts of All Time.’ In 2018 Ian Darling was appointed an Officer (AO) of the Order of Australia for distinguished service to documentary film production, to the performing arts, education and community engagement, and to social welfare organisations through philanthropic endeavours. He has an MBA from IMD Switzerland, and a BA (Acc.) from the Australian National University.
Additional Camera:
2012 Paul Kelly: Stories of Me
Co-Executive Producer:
2012 Paul Kelly: Stories of Me
2020 Athlete A
Director:
2001 Woodstock for Capitalists
2004 Alone Across Australia
2007 In the Company of Actors
2008 The Oasis
2012 Paul Kelly: Stories of Me
2016 Suzy & The Simple Man
2019 The Final Quarter
2020 Athlete A
2024 The Pool
Executive Producer:
2001 Woodstock for Capitalists
2004 Alone Across Australia
2007 In the Company of Actors
2008 The Oasis
2012 Paul Kelly: Stories of Me
2015 Last Cab to Darwin
2016 Suzy & The Simple Man
2017 Unrest
2018 The Bleeding Edge
2019 2040
2019 Inventing Tomorrow
2019 The Final Quarter
2020 Athlete A
2020 On the Record
2021 Paper & Glue
2022 Wash My Soul in the River's Flow
2024 Fly
2024 Mothers of Chibok
2024 The Pool
2025 FOLKTALES
Producer:
2001 Woodstock for Capitalists
2004 Alone Across Australia
2007 In the Company of Actors
2008 The Oasis
2012 Paul Kelly: Stories of Me
2015 Last Cab to Darwin
2016 Suzy & The Simple Man
2017 Unrest
2018 The Bleeding Edge
2019 2040
2019 Inventing Tomorrow
2019 Life After the Oasis
2019 The Final Quarter
2020 Athlete A
2020 On the Record
2021 Paper & Glue
2021 The Department
2022 Wash My Soul in the River's Flow
2024 Fly
2024 Mothers of Chibok
2024 The Pool
2025 FOLKTALES
Still Photographer:
2001 Woodstock for Capitalists
2004 Alone Across Australia
2007 In the Company of Actors
2008 The Oasis
2012 Paul Kelly: Stories of Me
2015 Last Cab to Darwin
2016 Suzy & The Simple Man
2017 Unrest
2018 The Bleeding Edge
2019 2040
2019 Inventing Tomorrow
2019 Life After the Oasis
2019 The Final Quarter
2020 Athlete A
2020 On the Record
2021 Paper & Glue
2021 The Department
2022 Wash My Soul in the River's Flow
2024 Fly
2024 Mothers of Chibok
2024 The Pool
2025 FOLKTALES
Writer:
2001 Woodstock for Capitalists
2004 Alone Across Australia
2007 In the Company of Actors
2008 The Oasis
2012 Paul Kelly: Stories of Me
2015 Last Cab to Darwin
2016 Suzy & The Simple Man
2017 Unrest
2018 The Bleeding Edge
2019 2040
2019 Inventing Tomorrow
2019 Life After the Oasis
2019 The Final Quarter
2020 Athlete A
2020 On the Record
2021 Paper & Glue
2021 The Department
2022 Wash My Soul in the River's Flow
2024 Fly
2024 Mothers of Chibok
2024 The Pool
2025 FOLKTALES
Executive Producer:
2021 Allen v. Farrow
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.