A work in constant progress (and occasional regress).
Alias:
Билли Хоул
Birthplace:
Stoke-on-Trent, Staffordshire, England, UK
Born:
November 9, 1989
Billy Howle was born in Stoke-on-Trent, England, to a schoolteacher mother and a father who teaches at Kent University, the second of four sons. His older brother, Sam, is a graphic designer. Despite his parents' academic backgrounds, Billy has said that he was not interested in further education, and worked instead at the local Stephen Joseph theater, in community-based projects involving dance and acting. After a year at drama school, he enrolled at the prestigious Bristol Old Vic Theatre School, graduating in 2013. Having appeared at Bristol in 'The Little Mermaid,' his next stage appearance was in New York at the Brooklyn Academy of Music, opposite Lesley Manville in Richard Eyre's production of Henrik Ibsen's 'Ghosts' and a year later was reunited with Bristol Old Vic, the director, and Ms. Manville in a scorching production of 'Long Day's Journey Into Night' alongside Jeremy Irons - another Bristol Old Vic alumnus - Hadley Fraser, and Jessica Regan, more than holding his own with his older, more experienced co-stars. After a couple of small roles in television drama, Billy's first substantial lead came in the youth-oriented murder mystery Glue (2014) in 2014, opening the first scene in memorable style as he rolled nude down stacks of grain in a barn. In 2016, he was in another murder mystery, The Witness for the Prosecution (2016), as the defendant accused of killing his wealthy benefactress, by which time he had filmed his first forays into cinema: On Chesil Beach (2017) and Anton Chekhov's The Seagull (2018), both with Saoirse Ronan, and The Sense of an Ending (2017).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.