A work in constant progress (and occasional regress).
Birthplace:
Ljubljana, Yugoslavia [now Slovenia]
Born:
November 28, 1977
Špela Čadež is a Slovenian independent animation director and producer, born on November 28, 1977, in Ljubljana. She has been working as a producer and director of independent animated films since 2008. After completing her graphic design studies (2002) at the Academy of Fine Arts in Ljubljana, she continued her studies at the Academy of Media Arts in Cologne, Germany. Already during her studies, she gained international recognition with her puppet animations Zasukanec (2004) and Liebeskrank (2007). Her animated film Boles (2013) was screened worldwide and won a number of awards, accolades, and nominations. In 2018, she was invited to become a member of the American Academy of Motion Picture Arts and Sciences. Her film Steakhouse (2021) was shortlisted for an Oscar nomination in the animated short film category. She lives and works in Ljubljana.
Animation:
2007 Lovesick
2008 Marathon
2013 Boles
2021 Steakhouse
Director:
2004 Mate to Measure
2007 Lovesick
2008 Marathon
2010 Last Minute
2013 Boles
2016 Nighthawk
2017 Orange Is the New Black – Unraveled
2021 Steakhouse
Editor:
2004 Mate to Measure
2007 Lovesick
2008 Marathon
2010 Last Minute
2013 Boles
2016 Nighthawk
2017 Orange Is the New Black – Unraveled
2021 Steakhouse
Producer:
2004 Mate to Measure
2007 Lovesick
2008 Marathon
2010 Last Minute
2013 Boles
2016 Nighthawk
2017 Orange Is the New Black – Unraveled
2021 Steakhouse
Screenplay:
2004 Mate to Measure
2007 Lovesick
2008 Marathon
2010 Last Minute
2013 Boles
2016 Nighthawk
2017 Orange Is the New Black – Unraveled
2021 Steakhouse
Writer:
2004 Mate to Measure
2007 Lovesick
2008 Marathon
2010 Last Minute
2013 Boles
2016 Nighthawk
2017 Orange Is the New Black – Unraveled
2021 Steakhouse
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.