A work in constant progress (and occasional regress).
Portraits of a Search (2014) is her first documentary feature film. This project was selected by IMCINE to receive Guidance for the Development of Storylines and was produced with the Fund for Quality Film Production FOPROCINE. In 2010, she participated in the Theory and Practice Workshop of Documentary Filming and Postproduction, sponsored by AMBULANTE and the Mexican Film Institute, where she was selected to direct the short film A Possible Dream.She has worked as a journalist in written press, radio and television for 14 years. Her works have been published in Mexico’s main editorial groups, such as Reforma and Milenio, as well as in international media, such as the Associated Press agency and the cultural channel NCI, of the Association of Ibero-American Educational and Cultural Television.She has a bachelor in Communication Sciences and Techniques by the UNIVA, with postgraduate studies in Communication, Social Change and Development, at the Complutense University of Madrid. She has taught at the bachelor in Communication of the ITESO, the Jesuit university of Guadalajara. She is former grant holder of the Ibero-American New Journalism Foundation, of the Knight Center for Journalism, among others. She is currently working on her second feature film documentary, in which she has had the guidance of documentary filmmaker Tatiana Huezo in the Development stage, as part of the workshops of the International Film Festival in the Desert, held in Sonora.
Director:
2014 Portraits of a Search
2019 Drawings Against Bullets
Producer:
2014 Portraits of a Search
2019 Drawings Against Bullets
Screenplay:
2014 Portraits of a Search
2019 Drawings Against Bullets
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.