A work in constant progress (and occasional regress).
Birthplace:
Yogyakarta, Dutch East Indies (now Indonesia)
Dwi Sujanti Nugraheni is an Indonesia documentary director. She worked as an intern at Women Make Movies, in New York City, USA in 2009. She received an Artist Fellowship from the Asian Cultural Council in New York in 2009 to observe the film industry, including film funding and distribution, in the US. In 2013, she received a John Darling Fellowship to take a post-graduate course in digital anthropology at the Digital Humanities Hub at the Australian National University. She is an alumnus of IDFA Summer School 2012, Berlinale Talents 2014, and Talents Tokyo 2015.
Director:
2012 Denok & Gareng
2020 Between the Devil and the Deep Blue Sea
Director of Photography:
2012 Denok & Gareng
2020 Between the Devil and the Deep Blue Sea
Writer:
2012 Denok & Gareng
2020 Between the Devil and the Deep Blue Sea
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.