Richard Bluff

Richard Bluff is an English visual effects supervisor. Known for his works in Disney's visual effects company Industrial Light & Magic (ILM) as a digital matte artist and visual effects supervisor in acclaimed films such as Star Wars: Episode III: Revenge of the Sith (2005), The Island (2005), Transformers (2007–2011), Indiana Jones and the Kingdom of the Crystal Skull (2008), Star Trek (2009), Avatar (2009), The Avengers (2012), Cloud Atlas (2012), Pacific Rim (2013), The Big Short (2015), and Doctor Strange (2016), for which he received an Academy Award for Best Visual Effects nomination at the 89th Academy Awards. He previously worked at Blur Studio as a digital artist.

Additional information:

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Senior Visual Effects Supervisor:
2016  Doctor Strange

Sequence Supervisor:
2009  Star Trek
2016  Doctor Strange

Visual Effects Supervisor:
2003  Bulletproof Monk
2009  Star Trek
2014  Lucy
2015  The Big Short
2016  Doctor Strange

Co-Producer:
2023  Ahsoka

Visual Effects Supervisor:
2015  Marvel's Agent Carter
2019  The Mandalorian
2021  The Book of Boba Fett
2023  Ahsoka

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.