A work in constant progress (and occasional regress).
Birthplace:
Olhão, Portugal
Born:
August 24, 1974
Key Makeup Artist:
2009 O Último Condenado à Morte
2012 A Teia de Gelo
Makeup & Hair:
2009 O Último Condenado à Morte
2012 A Teia de Gelo
2023 Ubu
Makeup Artist:
2005 The Crime of Father Amaro
2008 The Easy Way
2009 Cold Day
2009 O Último Condenado à Morte
2012 A Teia de Gelo
2015 Cosmos
2016 An Outpost of Progress
2019 The Domain
2021 Gaza Mon Amour
2023 Ubu
2024 Cidade Rabat
Makeup Department Head:
2005 The Crime of Father Amaro
2008 The Easy Way
2009 Cold Day
2009 O Último Condenado à Morte
2012 A Teia de Gelo
2012 Lines of Wellington
2014 Obsessive Rhythms
2015 Cosmos
2016 An Outpost of Progress
2019 The Domain
2021 Gaza Mon Amour
2023 Ubu
2024 Cidade Rabat
Makeup Artist:
2015 Line of Separation
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.