A work in constant progress (and occasional regress).
Birthplace:
Cleveland, Ohio, USA
Born:
August 27, 1885
Died:
September 29, 1939
Assistant Camera:
1926 Across the Pacific
Cinematography:
1926 Across the Pacific
1927 A Sailor's Sweetheart
1927 Sailor Izzy Murphy
1927 Simple Sis
1928 Beware of Married Men
1928 My Man
1928 The Midnight Taxi
1928 The Mysterious Airman
1928 Women They Talk About
1929 One Stolen Night
1931 The Holy Flames
Director of Photography:
1926 Across the Pacific
1926 The Sea Beast
1926 While London Sleeps
1927 A Sailor's Sweetheart
1927 Hills of Kentucky
1927 Sailor Izzy Murphy
1927 Simple Sis
1927 The Climbers
1928 Beware of Bachelors
1928 Beware of Married Men
1928 My Man
1928 Powder My Back
1928 The Midnight Taxi
1928 The Mysterious Airman
1928 Women They Talk About
1929 One Stolen Night
1930 The Happy Hottentots
1931 How I Play Golf, by Bobby Jones No. 2: 'Chip Shots'
1931 How I Play Golf, by Bobby Jones No. 3: 'The Niblick'
1931 How I Play Golf, by Bobby Jones No. 6: 'The Big Irons'
1931 How I Play Golf, by Bobby Jones No. 7: 'The Spoon'
1931 The Holy Flames
Second Assistant Camera:
1926 Across the Pacific
1926 The Sea Beast
1926 While London Sleeps
1927 A Sailor's Sweetheart
1927 Hills of Kentucky
1927 Sailor Izzy Murphy
1927 Simple Sis
1927 The Climbers
1928 Beware of Bachelors
1928 Beware of Married Men
1928 My Man
1928 Powder My Back
1928 The Midnight Taxi
1928 The Mysterious Airman
1928 Women They Talk About
1929 One Stolen Night
1930 The Happy Hottentots
1931 How I Play Golf, by Bobby Jones No. 2: 'Chip Shots'
1931 How I Play Golf, by Bobby Jones No. 3: 'The Niblick'
1931 How I Play Golf, by Bobby Jones No. 6: 'The Big Irons'
1931 How I Play Golf, by Bobby Jones No. 7: 'The Spoon'
1931 The Holy Flames
1932 Tiger Shark
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.