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Michel Auder

Birthplace:
Soissons, Aisne, France

Biography from TheMovieDB

Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.

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Additional information:

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Film Performances

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Film Production

Cinematography:
2008  The Feature

Director:
1969  Keeping Busy
1970  Cleopatra
1971  The Valerie Solanas Incident
1972  Chronicles: Morocco
1976  Chelsea Girls with Andy Warhol
1977  Made for Denise
1978  My Love
1979  48 Hours in 8 Minutes
1979  Jesus
1979  Seduction of Patrick
1981  Coupla White Faggots Sitting Around Talking
1981  Talking Head
1988  Brooding Angels
1988  Magnetic Notes, 1986-1987
1991  Roman Variations
1993  My Last Bag of Heroin (For Real)
1993  Polaroid Cocaine
1993  Voyage to the Center of the Phone Lines
1999  Bitte Danke
2003  Apocalypse Later - Hudson
2007  It's Hard to Be Down When You're Up
2008  Chelsea, Manhattan - NYC
2008  The Feature
2009  Alice Neel Paints Margaret
2009  Blind Sex
2009  Confession
2009  Heads in Love
2009  Shoppingheads
2011  Endless Column
2011  Narcolepsy
2012  Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
2013  Daytime Version of the Night
2015  1967
2016  Phone content HQ6s02 BERLIN CAMERAROLL
2017  Gulf War TV War
2017  The Course of Empire
2019  Fictional Art Film
2019  High Life

Editor:
1969  Keeping Busy
1970  Cleopatra
1971  The Valerie Solanas Incident
1972  Chronicles: Morocco
1976  Chelsea Girls with Andy Warhol
1977  Made for Denise
1978  My Love
1979  48 Hours in 8 Minutes
1979  Jesus
1979  Seduction of Patrick
1981  Coupla White Faggots Sitting Around Talking
1981  Talking Head
1988  Brooding Angels
1988  Magnetic Notes, 1986-1987
1991  Roman Variations
1993  My Last Bag of Heroin (For Real)
1993  Polaroid Cocaine
1993  Voyage to the Center of the Phone Lines
1999  Bitte Danke
2003  Apocalypse Later - Hudson
2007  It's Hard to Be Down When You're Up
2008  Chelsea, Manhattan - NYC
2008  The Feature
2009  Alice Neel Paints Margaret
2009  Blind Sex
2009  Confession
2009  Heads in Love
2009  Shoppingheads
2011  Endless Column
2011  Narcolepsy
2012  Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
2013  Daytime Version of the Night
2015  1967
2016  Phone content HQ6s02 BERLIN CAMERAROLL
2017  Gulf War TV War
2017  The Course of Empire
2019  Fictional Art Film
2019  High Life

Producer:
1969  Keeping Busy
1970  Cleopatra
1971  The Valerie Solanas Incident
1972  Chronicles: Morocco
1976  Chelsea Girls with Andy Warhol
1977  Made for Denise
1978  My Love
1979  48 Hours in 8 Minutes
1979  Jesus
1979  Seduction of Patrick
1981  Coupla White Faggots Sitting Around Talking
1981  Talking Head
1988  Brooding Angels
1988  Magnetic Notes, 1986-1987
1991  Roman Variations
1993  My Last Bag of Heroin (For Real)
1993  Polaroid Cocaine
1993  Voyage to the Center of the Phone Lines
1999  Bitte Danke
2003  Apocalypse Later - Hudson
2007  It's Hard to Be Down When You're Up
2008  Chelsea, Manhattan - NYC
2008  The Feature
2009  Alice Neel Paints Margaret
2009  Blind Sex
2009  Confession
2009  Heads in Love
2009  Shoppingheads
2011  Endless Column
2011  Narcolepsy
2012  Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
2013  Daytime Version of the Night
2015  1967
2016  Phone content HQ6s02 BERLIN CAMERAROLL
2017  Gulf War TV War
2017  The Course of Empire
2019  Fictional Art Film
2019  High Life

Writer:
1969  Keeping Busy
1970  Cleopatra
1971  The Valerie Solanas Incident
1972  Chronicles: Morocco
1976  Chelsea Girls with Andy Warhol
1977  Made for Denise
1978  My Love
1979  48 Hours in 8 Minutes
1979  Jesus
1979  Seduction of Patrick
1981  Coupla White Faggots Sitting Around Talking
1981  Talking Head
1988  Brooding Angels
1988  Magnetic Notes, 1986-1987
1991  Roman Variations
1993  My Last Bag of Heroin (For Real)
1993  Polaroid Cocaine
1993  Voyage to the Center of the Phone Lines
1999  Bitte Danke
2003  Apocalypse Later - Hudson
2007  It's Hard to Be Down When You're Up
2008  Chelsea, Manhattan - NYC
2008  The Feature
2009  Alice Neel Paints Margaret
2009  Blind Sex
2009  Confession
2009  Heads in Love
2009  Shoppingheads
2011  Endless Column
2011  Narcolepsy
2012  Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
2013  Daytime Version of the Night
2015  1967
2016  Phone content HQ6s02 BERLIN CAMERAROLL
2017  Gulf War TV War
2017  The Course of Empire
2019  Fictional Art Film
2019  High Life

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.