A work in constant progress (and occasional regress).
Birthplace:
Montreal, Quebec, Canada
Maureen Bradley is a Canadian film director, producer, screenwriter, media artist, professor, and curator. She has produced over fifty short films and her work has been recognized internationally. Through her work, she challenges traditional gender norms and opposes the heteronormativity that dominates the television and film industry.
Additional Camera:
1998 How to Be a Recluse
Camera Operator:
1997 Her
1998 How to Be a Recluse
Director:
1990 We’re Here, We’re Queer, We’re Fabulous
1991 Safe Sex is Hot Sex
1993 Defiance
1993 Queer Across Canada
1993 She Thrills Me
1994 Not Like That: Diary of a Butch-a-Phobe
1995 Losing It
1995 The Weight of Women's Eyes
1996 Forever
1997 Her
1997 Tainted: Christopher Lefler and the Queer Censorship Chill
1997 What I Remember
1998 Go Dyke! Go!
1998 How to Be a Recluse
2002 The Chosen Family
2004 You Fake
2005 sisyphus
2014 Two 4 One
Online Editor:
1990 We’re Here, We’re Queer, We’re Fabulous
1991 Safe Sex is Hot Sex
1993 Defiance
1993 Queer Across Canada
1993 She Thrills Me
1994 Not Like That: Diary of a Butch-a-Phobe
1995 Losing It
1995 The Weight of Women's Eyes
1996 Forever
1997 Her
1997 Tainted: Christopher Lefler and the Queer Censorship Chill
1997 What I Remember
1998 Go Dyke! Go!
1998 How to Be a Recluse
1998 Jazz Slave Ships
2002 The Chosen Family
2004 You Fake
2005 sisyphus
2014 Two 4 One
Sound:
1990 We’re Here, We’re Queer, We’re Fabulous
1991 Safe Sex is Hot Sex
1993 Defiance
1993 Queer Across Canada
1993 She Thrills Me
1994 Not Like That: Diary of a Butch-a-Phobe
1995 Losing It
1995 The Weight of Women's Eyes
1996 Forever
1997 Her
1997 Tainted: Christopher Lefler and the Queer Censorship Chill
1997 What I Remember
1998 Go Dyke! Go!
1998 How to Be a Recluse
1998 Jazz Slave Ships
2002 The Chosen Family
2004 You Fake
2005 sisyphus
2014 Two 4 One
Sound Editor:
1990 We’re Here, We’re Queer, We’re Fabulous
1991 Safe Sex is Hot Sex
1993 Defiance
1993 Queer Across Canada
1993 She Thrills Me
1994 Not Like That: Diary of a Butch-a-Phobe
1995 Losing It
1995 The Weight of Women's Eyes
1996 Forever
1997 Her
1997 Tainted: Christopher Lefler and the Queer Censorship Chill
1997 What I Remember
1998 Go Dyke! Go!
1998 How to Be a Recluse
1998 Jazz Slave Ships
2002 The Chosen Family
2004 You Fake
2005 sisyphus
2014 Two 4 One
Sound Mixer:
1990 We’re Here, We’re Queer, We’re Fabulous
1991 Safe Sex is Hot Sex
1993 Defiance
1993 Queer Across Canada
1993 She Thrills Me
1994 Not Like That: Diary of a Butch-a-Phobe
1995 Losing It
1995 The Weight of Women's Eyes
1996 Forever
1997 Her
1997 Tainted: Christopher Lefler and the Queer Censorship Chill
1997 What I Remember
1998 Go Dyke! Go!
1998 How to Be a Recluse
1998 Jazz Slave Ships
2002 The Chosen Family
2004 You Fake
2005 sisyphus
2014 Two 4 One
Thanks:
1990 We’re Here, We’re Queer, We’re Fabulous
1991 Safe Sex is Hot Sex
1993 Defiance
1993 Queer Across Canada
1993 She Thrills Me
1994 Not Like That: Diary of a Butch-a-Phobe
1995 Lessons In Baby Dyke Theory
1995 Losing It
1995 The Weight of Women's Eyes
1996 Forever
1997 Her
1997 Tainted: Christopher Lefler and the Queer Censorship Chill
1997 What I Remember
1998 Go Dyke! Go!
1998 How to Be a Recluse
1998 Jazz Slave Ships
2002 The Chosen Family
2004 You Fake
2005 sisyphus
2014 Two 4 One
Writer:
1990 We’re Here, We’re Queer, We’re Fabulous
1991 Safe Sex is Hot Sex
1993 Defiance
1993 Queer Across Canada
1993 She Thrills Me
1994 Not Like That: Diary of a Butch-a-Phobe
1995 Lessons In Baby Dyke Theory
1995 Losing It
1995 The Weight of Women's Eyes
1996 Forever
1997 Her
1997 Tainted: Christopher Lefler and the Queer Censorship Chill
1997 What I Remember
1998 Go Dyke! Go!
1998 How to Be a Recluse
1998 Jazz Slave Ships
2002 The Chosen Family
2004 You Fake
2005 sisyphus
2014 Two 4 One
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.