A work in constant progress (and occasional regress).
Cinematography:
1916 The Stolen Triumph
1917 Red, White and Blue Blood
1917 The Adopted Son
1918 A Pair of Cupids
1918 Social Quicksands
1918 Under Suspicion
1919 The Great Romance
1921 Extravagance
1923 Potash and Perlmutter
1924 One Night in Rome
1925 The White Monkey
1927 One Increasing Purpose
1928 A Girl in Every Port
1928 The Play Girl
Director of Photography:
1916 The Stolen Triumph
1917 Red, White and Blue Blood
1917 The Adopted Son
1918 A Pair of Cupids
1918 Social Quicksands
1918 Under Suspicion
1919 The Great Romance
1920 Billions
1920 Madame Peacock
1920 Stronger Than Death
1921 Camille
1921 Extravagance
1921 Passion Fruit
1923 Potash and Perlmutter
1924 One Night in Rome
1924 Painted People
1925 The White Monkey
1926 The Girl from Montmartre
1927 One Increasing Purpose
1927 Silk Legs
1928 A Girl in Every Port
1928 The Play Girl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.