A work in constant progress (and occasional regress).
Birthplace:
Vienna, Austria
Born:
April 30, 1982
Johann Lurf is an artist and filmmaker, using the moving image to analyze and restructure space and film. His practice involves observational and documentary filmmaking especially in the field of structural film, as well as an approach to found footage which is strongly oriented on filmic language itself. He was educated as a film director at the Academy of Fine Arts in Vienna, Austria.
Director:
2003 (untitled)
2005 pan
2007 VERTIGO RUSH
2008 12 Explosions
2009 The Quick Brown Fox Jumps Over the Lazy Dog
2011 A to A
2011 Endeavour
2012 RECONNAISSANCE
2013 Picture Perfect Pyramid
2013 Pyramid Flare
2014 EMBARGO
2014 Twelve Tales Told
2015 Capital Cuba
2015 Eine Einstellung für Harun Farocki
2017 ★
2019 Cavalcade
2024 Revolving Rounds
Editor:
2003 (untitled)
2005 pan
2007 VERTIGO RUSH
2008 12 Explosions
2009 The Quick Brown Fox Jumps Over the Lazy Dog
2011 A to A
2011 Endeavour
2012 RECONNAISSANCE
2013 Picture Perfect Pyramid
2013 Pyramid Flare
2014 EMBARGO
2014 Twelve Tales Told
2015 Capital Cuba
2015 Eine Einstellung für Harun Farocki
2017 ★
2019 Cavalcade
2024 Revolving Rounds
Producer:
2003 (untitled)
2005 pan
2007 VERTIGO RUSH
2008 12 Explosions
2009 The Quick Brown Fox Jumps Over the Lazy Dog
2011 A to A
2011 Endeavour
2012 RECONNAISSANCE
2013 Picture Perfect Pyramid
2013 Pyramid Flare
2014 EMBARGO
2014 Twelve Tales Told
2015 Capital Cuba
2015 Eine Einstellung für Harun Farocki
2017 ★
2019 Cavalcade
2024 Revolving Rounds
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.