A work in constant progress (and occasional regress).
Birthplace:
Pergola, Pesaro e Urbino, Marche, Italia
Born:
May 23, 1970
Simone Massi was Born in Pergola (Pesaro-Urbino, Italy) on May 1970. Ex-worker, of peasants origin, he studied Film Animation at the Art School of Urbino. Independent animator, from 20 years he is trying -in a clean way- to make his passion for drawing become a job. Despite the difficulties he has conceived and realized (alone and entirely by hand) a dozen small animation films that have been shown in 62 Countries of 5 Continents and have collected over 200 awards.
Animation:
2018 Samouni Road
2020 The Infinite
Camera Supervisor:
2010 The Dream of Giada
2018 Samouni Road
2020 The Infinite
Director:
1995 Immemoria
1995 In Aprile
1995 Millennio
1996 Niente
1996 Racconti
1997 Keep on! Keepin' On!
1999 Adombra
2001 Getting In Position
2001 Pittore, aereo
2004 Io so chi sono
2004 Piccola mare
2006 The Memories of Dogs
2009 Of Clouds And Hands
2010 The Dream of Giada
2011 About Killing the Pig
2011 Fiery Red
2012 Softly Flows
2012 Venezia/Massi
2013 Resistant Soul
2014 The Wait of May
2018 Samouni Road
2020 The Infinite
2022 From Our Side
2022 Once War is Over
2023 The Body of the World
2024 Nowhere
Editor:
1995 Immemoria
1995 In Aprile
1995 Millennio
1996 Niente
1996 Racconti
1997 Keep on! Keepin' On!
1999 Adombra
2001 Getting In Position
2001 Pittore, aereo
2004 Io so chi sono
2004 Piccola mare
2006 The Memories of Dogs
2009 Of Clouds And Hands
2010 The Dream of Giada
2011 About Killing the Pig
2011 Fiery Red
2012 Flood
2012 Softly Flows
2012 Venezia/Massi
2013 Resistant Soul
2014 The Wait of May
2018 Samouni Road
2020 The Infinite
2022 From Our Side
2022 Once War is Over
2023 The Body of the World
2024 Nowhere
Producer:
1995 Immemoria
1995 In Aprile
1995 Millennio
1996 Niente
1996 Racconti
1997 Keep on! Keepin' On!
1999 Adombra
2001 Getting In Position
2001 Pittore, aereo
2004 Io so chi sono
2004 Piccola mare
2006 The Memories of Dogs
2009 Of Clouds And Hands
2010 The Dream of Giada
2011 About Killing the Pig
2011 Fiery Red
2012 Flood
2012 Softly Flows
2012 Venezia/Massi
2013 Resistant Soul
2014 The Wait of May
2018 Samouni Road
2020 The Infinite
2022 From Our Side
2022 Once War is Over
2023 The Body of the World
2024 Nowhere
Screenplay:
1995 Immemoria
1995 In Aprile
1995 Millennio
1996 Niente
1996 Racconti
1997 Keep on! Keepin' On!
1999 Adombra
2001 Getting In Position
2001 Pittore, aereo
2004 Io so chi sono
2004 Piccola mare
2006 The Memories of Dogs
2009 Of Clouds And Hands
2010 The Dream of Giada
2011 About Killing the Pig
2011 Fiery Red
2012 Flood
2012 Softly Flows
2012 Venezia/Massi
2013 Resistant Soul
2014 The Wait of May
2018 Samouni Road
2020 The Infinite
2022 From Our Side
2022 Once War is Over
2023 The Body of the World
2024 Nowhere
Writer:
1995 Immemoria
1995 In Aprile
1995 Millennio
1996 Niente
1996 Racconti
1997 Keep on! Keepin' On!
1999 Adombra
2001 Getting In Position
2001 Pittore, aereo
2004 Io so chi sono
2004 Piccola mare
2006 The Memories of Dogs
2009 Of Clouds And Hands
2010 The Dream of Giada
2011 About Killing the Pig
2011 Fiery Red
2012 Flood
2012 Softly Flows
2012 Venezia/Massi
2013 Resistant Soul
2014 The Wait of May
2018 Samouni Road
2020 The Infinite
2022 From Our Side
2022 Once War is Over
2023 The Body of the World
2024 Nowhere
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.