A work in constant progress (and occasional regress).
JOANA PIMENTA is a filmmaker from Lisbon, Portugal, currently living and working between the United States and Brazil. Her short film The Figures Carved into the Knife by the Sap of the Banana Trees received the Competition Award at Indielisboa ’14, where it premiered, the Tom Berman Award for Most Promising Filmmaker at the Ann Arbor Film Festival, and has been screened at the Toronto International Film Festival, the New York Film Festival, Jihlava, Mar del Plata, Ambulante, Edinburgh, Videoex, Taipei, among other venues. Her video installation work has been recently presented at the Festival Temps d'Images, the Fundacion Botin, Galeria da Boavista, Carpenter Center for the Visual Arts, and The Pipe Factory, among others. She works and teaches in the Department of Visual and Environmental Studies at Harvard University and in the BFA program in Film at Rutgers University, and is a fellow at the Film Study Center and the Sensory Ethnography Lab.
Cinematography:
2016 An Aviation Field
Director:
2014 The Figures Carved into the Knife By the Sap of the Banana Trees
2016 An Aviation Field
2018 Dreaming In The Dark
2023 Dry Ground Burning
2024 A Quebra do Cego
Director of Photography:
2014 The Figures Carved into the Knife By the Sap of the Banana Trees
2016 An Aviation Field
2017 Once There Was Brasília
2018 Dreaming In The Dark
2023 Dry Ground Burning
2024 A Quebra do Cego
Editor:
2014 The Figures Carved into the Knife By the Sap of the Banana Trees
2016 An Aviation Field
2017 Once There Was Brasília
2018 Dreaming In The Dark
2023 Dry Ground Burning
2024 A Quebra do Cego
Writer:
2014 The Figures Carved into the Knife By the Sap of the Banana Trees
2016 An Aviation Field
2017 Once There Was Brasília
2018 Dreaming In The Dark
2023 Dry Ground Burning
2024 A Quebra do Cego
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.