A work in constant progress (and occasional regress).
Birthplace:
Caracas Venezuela
Born:
June 11, 1975
Ydaiber Orozco is an actress and casting director. A Blend of Heritage, Passion, and Artistry Ydaiber's name is a clever fusion of her two abuelas, Ida and Ever, whose influences have intricately woven into the fabric of her unique personality. From Abuela Ida springs forth a love for the 1920s, evident in Ydaiber's fashion choices like T-strap heels and vibrant red lipstick. Meanwhile, Abuela Ever bequeathed a culinary passion that manifests in Ydaiber's love for food and entertaining. Before gracing the screens of Los Angeles in shows like Hacks and Criminal Minds, Ydaiber refined her craft at the prestigious William Esper Studio in NYC. The city became her playground for bilingual exploration in theater, commercials, and independent films. Simultaneously, she thrived as an Event and Catering Manager, mastering multitasking in a dynamic environment. Seamlessly transitioning into the role of an independent producer, Ydaiber brought her organizational prowess and storytelling finesse to the forefront. Whether connecting directors, DPs, actors, or editors, she injected each collaboration with the same zest and flair found in her culinary creations. Despite trading T-straps for running shoes in L.A., Ydaiber remains a force to be reckoned with. Behind her laid-back exterior lies a recovering perfectionist who is also the creator and host of the Rekindle Your Light Podcast-an exploration of purpose, creativity, and grit in the face of darkness. Whether in front of or behind the camera, Ydaiber is an artist committed to delivering performances as vibrant and creative as her namesakes, embodying a legacy of heritage, passion, and artistic flair.
Casting Director:
2012 Lesson of the Evil
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.