A work in constant progress (and occasional regress).
Friedl Kubelka is an Austrian photographer, filmmaker and visual artist born in London, England in 1946. Her photographic practice has been attributed to a 20th-century movement known as Feminist Actionism or Viennese Actionism.
Director:
1969 Erwin, Toni, Ilse
1969 Graf Zokan (Franz West)
1974 Heidi
1994 Peter Kubelka und Jonas Mekas
1999 Eltern (Mutter/Vater)
1999 Parents (Mother/Father)
2000 Ohne Titel
2000 Spitting
2001 Lisa
2004 Allegory
2004 Le Barométre
2005 Eingreifen
2005 Laurent
2005 Psychoanalyse ohne Ethik
2006 Vue tactile (Four Women)
2007 Herachian
2009 Boston Steamer
2009 Delphine de Oliveira
2009 Hen Night
2009 Paris June 2009
2009 Passage Briare
2009 Wedding
2010 Heidi Kim at W Hong Kong Hotel
2010 La Bacchante
2010 Photo session
2011 Bliss
2011 Gaelle Obiegly
2011 La cigarette
2011 People on Sunday
2011 Ulrich Gregor and Heidi Kim at the W Hong Kong Hotel
2012 Friedl Kubelka Vom Gröller – Photography and Film
2012 Gaelle Obliegly - le prochain
2012 Me too, too, me too
2012 My Psychoanalytic Notes
2013 66, Rue Stephenson
2013 Eva
2013 Guilty Until Proven Innocent
2013 Im Wiener Prater
2013 Kirschenzeit
2013 My Precious Skin
2013 NEC SPE, NEC METU
2013 The Paris Poetry Circle
2013 Why Life Is Worth Living
2014 27.12.2013 St.Louis Senegal
2014 May 2012
2014 Poetry for Sale
2014 Time for Outrage!
2015 In Rome
2015 Industrial zone
2015 Maschile-Roma
2016 By Night to Light
2017 Ticino
2018 Paris Episodes
2018 Winter in Paris
2018 l'avenir? de F.v.G.?
2019 La mia Camera
2019 Rust
2020 Sacrificio per la sirena
2021 2020
2021 Das Rad
2021 Max Turnheim
2022 Ertrunken
2022 Neue Fenster
2023 I don’t want to be filmed but rather shoot myself
2023 Palmer
2023 The Stolen Letter
2023 This is for Jonas Mekas
2024 Tod
???? Der Phototermin
???? Ma Peau Précieuse
???? Redskins
Writer:
1969 Erwin, Toni, Ilse
1969 Graf Zokan (Franz West)
1974 Heidi
1994 Peter Kubelka und Jonas Mekas
1999 Eltern (Mutter/Vater)
1999 Parents (Mother/Father)
2000 Ohne Titel
2000 Spitting
2001 Lisa
2004 Allegory
2004 Le Barométre
2005 Eingreifen
2005 Laurent
2005 Psychoanalyse ohne Ethik
2006 Vue tactile (Four Women)
2007 Herachian
2009 Boston Steamer
2009 Delphine de Oliveira
2009 Hen Night
2009 Paris June 2009
2009 Passage Briare
2009 Wedding
2010 Heidi Kim at W Hong Kong Hotel
2010 La Bacchante
2010 Photo session
2011 Bliss
2011 Gaelle Obiegly
2011 La cigarette
2011 People on Sunday
2011 Ulrich Gregor and Heidi Kim at the W Hong Kong Hotel
2012 Friedl Kubelka Vom Gröller – Photography and Film
2012 Gaelle Obliegly - le prochain
2012 Me too, too, me too
2012 My Psychoanalytic Notes
2013 66, Rue Stephenson
2013 Eva
2013 Guilty Until Proven Innocent
2013 Im Wiener Prater
2013 Kirschenzeit
2013 My Precious Skin
2013 NEC SPE, NEC METU
2013 The Paris Poetry Circle
2013 Why Life Is Worth Living
2014 27.12.2013 St.Louis Senegal
2014 May 2012
2014 Poetry for Sale
2014 Time for Outrage!
2015 In Rome
2015 Industrial zone
2015 Maschile-Roma
2016 By Night to Light
2017 Ticino
2018 Paris Episodes
2018 Winter in Paris
2018 l'avenir? de F.v.G.?
2019 La mia Camera
2019 Rust
2020 Sacrificio per la sirena
2021 2020
2021 Das Rad
2021 Max Turnheim
2022 Ertrunken
2022 Neue Fenster
2023 I don’t want to be filmed but rather shoot myself
2023 Palmer
2023 The Stolen Letter
2023 This is for Jonas Mekas
2024 Tod
???? Der Phototermin
???? Ma Peau Précieuse
???? Redskins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.