Alexandre Larose

Alexandre Larose is a French-Canadian artist based in Montreal. While completing a bachelor in mechanical engineering in 2001, Larose became interested in cinematography as a tool to re-configure temporal experiences. His moving-image practice investigates phenomena of appearance and representation as translated by the media of optics and celluloid. His approach relies on a methodical stripping out of layers embedded in both the live subjects and the technique that translates them into visual artifacts. His work has screened internationally since 2006.

Additional information:

The Search Form


Cinematography:
2006  930
2006  Le Corps Humain
2007  Artifices #1

Director:
2006  930
2006  Le Corps Humain
2006  bonne nuit
2007  Artifices
2007  Artifices #1
2007  Evening Movie
2008  Fenêtres
2008  J.
2009  Brouillard #1
2009  Ville Marie
2011  Anticipation #4
2011  Brouillard #2
2011  Brouillard #2-12-6
2011  Brouillard #5
2011  Brouillard #6
2011  La Grande Dame
2012  Rue De La Montagne
2013  Brouillard #12
2013  Brouillard #13
2013  Brouillard #14
2013  Nadija
2013  Sackville Marshwalk
2013  Sackville Music Hall
2013  Ville Marie B - Mosaique #3
2014  Brouillard #16
2015  Brouillard #15
2015  Brouillard #19
2015  pilgrimage
2017  Saint Bathans Repetitions
2017  chute #9a
2017  chute #9b
2018  Le Vestibule
2018  Études du Pont Jacques-Cartier
2022  III.
2023  I.
2023  II.
2024  I. / II. / III.

Director of Photography:
2006  930
2006  Le Corps Humain
2006  bonne nuit
2007  Artifices
2007  Artifices #1
2007  Evening Movie
2008  Fenêtres
2008  J.
2009  Brouillard #1
2009  Ville Marie
2011  Anticipation #4
2011  Brouillard #2
2011  Brouillard #2-12-6
2011  Brouillard #5
2011  Brouillard #6
2011  La Grande Dame
2012  Rue De La Montagne
2013  Brouillard #12
2013  Brouillard #13
2013  Brouillard #14
2013  Nadija
2013  Sackville Marshwalk
2013  Sackville Music Hall
2013  Ville Marie B - Mosaique #3
2014  Brouillard #16
2015  Brouillard #15
2015  Brouillard #19
2015  Les brigands de l'hôtel bleu
2015  pilgrimage
2017  Saint Bathans Repetitions
2017  chute #9a
2017  chute #9b
2018  Le Vestibule
2018  Études du Pont Jacques-Cartier
2022  III.
2023  I.
2023  II.
2024  I. / II. / III.

Editor:
2006  930
2006  Le Corps Humain
2006  bonne nuit
2007  Artifices
2007  Artifices #1
2007  Evening Movie
2008  Fenêtres
2008  J.
2009  Brouillard #1
2009  Ville Marie
2011  Anticipation #4
2011  Brouillard #2
2011  Brouillard #2-12-6
2011  Brouillard #5
2011  Brouillard #6
2011  La Grande Dame
2012  Rue De La Montagne
2013  Brouillard #12
2013  Brouillard #13
2013  Brouillard #14
2013  Nadija
2013  Sackville Marshwalk
2013  Sackville Music Hall
2013  Ville Marie B - Mosaique #3
2014  Brouillard #16
2015  Brouillard #15
2015  Brouillard #19
2015  Les brigands de l'hôtel bleu
2015  pilgrimage
2017  Saint Bathans Repetitions
2017  chute #9a
2017  chute #9b
2018  Le Vestibule
2018  Études du Pont Jacques-Cartier
2022  III.
2023  I.
2023  II.
2024  I. / II. / III.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.