A work in constant progress (and occasional regress).
Alexandre Larose is a French-Canadian artist based in Montreal. While completing a bachelor in mechanical engineering in 2001, Larose became interested in cinematography as a tool to re-configure temporal experiences. His moving-image practice investigates phenomena of appearance and representation as translated by the media of optics and celluloid. His approach relies on a methodical stripping out of layers embedded in both the live subjects and the technique that translates them into visual artifacts. His work has screened internationally since 2006.
Cinematography:
2006 930
2006 Le Corps Humain
2007 Artifices #1
Director:
2006 930
2006 Le Corps Humain
2006 bonne nuit
2007 Artifices
2007 Artifices #1
2007 Evening Movie
2008 Fenêtres
2008 J.
2009 Brouillard #1
2009 Ville Marie
2011 Anticipation #4
2011 Brouillard #2
2011 Brouillard #2-12-6
2011 Brouillard #5
2011 Brouillard #6
2011 La Grande Dame
2012 Rue De La Montagne
2013 Brouillard #12
2013 Brouillard #13
2013 Brouillard #14
2013 Nadija
2013 Sackville Marshwalk
2013 Sackville Music Hall
2013 Ville Marie B - Mosaique #3
2014 Brouillard #16
2015 Brouillard #15
2015 Brouillard #19
2015 pilgrimage
2017 Saint Bathans Repetitions
2017 chute #9a
2017 chute #9b
2018 Le Vestibule
2018 Études du Pont Jacques-Cartier
2022 III.
2023 I.
2023 II.
2024 I. / II. / III.
Director of Photography:
2006 930
2006 Le Corps Humain
2006 bonne nuit
2007 Artifices
2007 Artifices #1
2007 Evening Movie
2008 Fenêtres
2008 J.
2009 Brouillard #1
2009 Ville Marie
2011 Anticipation #4
2011 Brouillard #2
2011 Brouillard #2-12-6
2011 Brouillard #5
2011 Brouillard #6
2011 La Grande Dame
2012 Rue De La Montagne
2013 Brouillard #12
2013 Brouillard #13
2013 Brouillard #14
2013 Nadija
2013 Sackville Marshwalk
2013 Sackville Music Hall
2013 Ville Marie B - Mosaique #3
2014 Brouillard #16
2015 Brouillard #15
2015 Brouillard #19
2015 Les brigands de l'hôtel bleu
2015 pilgrimage
2017 Saint Bathans Repetitions
2017 chute #9a
2017 chute #9b
2018 Le Vestibule
2018 Études du Pont Jacques-Cartier
2022 III.
2023 I.
2023 II.
2024 I. / II. / III.
Editor:
2006 930
2006 Le Corps Humain
2006 bonne nuit
2007 Artifices
2007 Artifices #1
2007 Evening Movie
2008 Fenêtres
2008 J.
2009 Brouillard #1
2009 Ville Marie
2011 Anticipation #4
2011 Brouillard #2
2011 Brouillard #2-12-6
2011 Brouillard #5
2011 Brouillard #6
2011 La Grande Dame
2012 Rue De La Montagne
2013 Brouillard #12
2013 Brouillard #13
2013 Brouillard #14
2013 Nadija
2013 Sackville Marshwalk
2013 Sackville Music Hall
2013 Ville Marie B - Mosaique #3
2014 Brouillard #16
2015 Brouillard #15
2015 Brouillard #19
2015 Les brigands de l'hôtel bleu
2015 pilgrimage
2017 Saint Bathans Repetitions
2017 chute #9a
2017 chute #9b
2018 Le Vestibule
2018 Études du Pont Jacques-Cartier
2022 III.
2023 I.
2023 II.
2024 I. / II. / III.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.