A work in constant progress (and occasional regress).
Alias:
Johannes Schmelzer
Location Sound Recordist:
2022 Outside Noise
2024 Archive of the Future
Music:
2013 Fata Morgana
2019 Heimat Is a Space in Time
2022 Outside Noise
2024 Archive of the Future
Original Music Composer:
2013 Fata Morgana
2019 Heimat Is a Space in Time
2021 Second Thoughts First
2022 Outside Noise
2024 Archive of the Future
Sound:
2011 Harvest
2013 Fata Morgana
2019 Heimat Is a Space in Time
2021 Second Thoughts First
2022 Elfriede Jelinek: Language Unleashed
2022 Outside Noise
2024 Archive of the Future
Sound Designer:
2011 Harvest
2013 Fata Morgana
2019 Heimat Is a Space in Time
2020 A Proposal to project in Scope
2021 Second Thoughts First
2022 Elfriede Jelinek: Language Unleashed
2022 Outside Noise
2024 Archive of the Future
2024 Tomorrow I leave
Sound Mixer:
2011 Harvest
2013 Fata Morgana
2018 Adam & Evelyn
2019 Heimat Is a Space in Time
2020 A Proposal to project in Scope
2021 Second Thoughts First
2022 Elfriede Jelinek: Language Unleashed
2022 Outside Noise
2024 Archive of the Future
2024 Tomorrow I leave
Sound Recordist:
2011 Harvest
2013 Fata Morgana
2017 How We Live - Messages to the Family
2018 Adam & Evelyn
2018 SPK Complex
2019 Garden
2019 Heimat Is a Space in Time
2020 A Proposal to project in Scope
2020 The Trouble with Being Born
2021 Second Thoughts First
2022 Elfriede Jelinek: Language Unleashed
2022 Outside Noise
2024 Archive of the Future
2024 Tomorrow I leave
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.