Kevin Penkin (b. 1992)

Birthplace:
UK

Born:
May 22, 1992

Kevin Penkin (born 22 May 1992) is a British-Australian anime and video game music composer. He is best known for composing the Crunchyroll Anime Award-winning score of Made in Abyss.  Kevin Penkin grew up in Perth, Western Australia. Penkin's interest in game music came from listening to the "Phendrana Drifts" theme from Metroid Prime; in a 2012 interview, he referred to the theme's electronic synths and acoustic instruments as "absolute bliss".  Penkin began his career with composition credits in the 2011 short films Play Lunch and The Adventures of Chipman and Biscuit Boy. In the same year, Penkin composed the soundtrack of the video game Jūzaengi: Engetsu Sangokuden (十三支演義~偃月三国伝~); this soundtrack represented Penkin's first collaboration with Nobuo Uematsu. Penkin has continued to collaborate with Uematsu in titles such as Norn9 and Defender’s Quest II: Mists of Ruin.  In 2015, Penkin graduated from the Royal College of Music with a Master's degree in Composition for Screen.  In 2016, Penkin collaborated with Kinema Citrus on the Norn9 anime and the Under the Dog original video animation soundtracks. Penkin's relationship with Kinema Citrus continued through to 2017 for the soundtrack of Made in Abyss, winning the 2017 Crunchyroll Anime Award for Best Score with it. In 2018, Penkin composed the score for the video game Florence. Penkin composed the music for Kinema Citrus' adaptation of The Rising of the Shield Hero and NetEase's VR game Nostos in 2019. He composed the score for the 2020 anime adaptation of the South Korean webtoon Tower of God.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.